Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2) — John Shaqi
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
At one of the great horticultural shows in Paris, ... moving about
among the fruits and flowers, we saw a woman of the medium size,
plainly and rather peculiarly dressed, and accompanied by a pale young
man who resembled her so strongly that we at once pronounced them
mother and son. The woman was in the autumn of life, the young man in
the early summer. On her face the woman wore marks of care and time, a
tired, disappointed look, such as they wear who, after hard climbing,
have reached a height of fame, and find it uncompensating. There were
remnants of beauty in the face, but they were only remnants. There were
deep, gray eyes under brows too heavy for a woman, a head crowned with
a considerable wealth of carelessly arranged hair just threaded with
gray, and picturesquely draped with lace. There was the little stoop
of the shoulders, that comes of the habit of thinking hard and writing
steadily. Wherever this woman and her companion went, the spectators
turned to look at them. The face and figure are clear-cut in my memory
to-day, and there is nothing commonplace in it. You would have known
that this was a distinguished person. It was a face with a soul behind
it. The movements were those of a person accustomed to be looked at
and accustomed to homage. One looked at this woman--almost an aged
woman--and felt the magnetism of genius. We asked of a by-stander who
it was, and were told that it was George Sand and her son.
PAUL VEVAY: Quoted in ‘The Record of the Year.’ Published by G. W.
Carleton, September, 1876.
* * * * *
[Sidenote: Her own account of her character.]
I am but a good old woman, to whom people have attributed a ferocity of
character altogether fantastical. I have also been accused of having
proved unable to love with passion. It seems to me I have lived a life
of tenderness, and that ought to have satisfied people.
Now, thank God, nothing except affection is expected from me; and those
who are good enough to love me, in spite of the want of lustre in my
life and the dulness of my wit, do not complain of me.
My disposition has remained inclined to gaiety; though devoid of
initiative for amusing others, I am efficient in helping them to enjoy
themselves.
I must possess some great defects, but, like every body else, mine do
not strike me. I am also ignorant of the existence of any quality or
virtue in me. I much pondered over _truth_, and when one is so engaged
the sentiment of _self_ vanishes more and more daily.
GEORGE SAND: _Letter to M. Louis Ulbach_, November, 1869, in ‘Letters
of George Sand.’
* * * * *
[Sidenote: Her life at Nohant.]
[Sidenote: Not silent in her own circle.]
Public-domain text, read in full here on John Shaqi.
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