Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
General
Pen-portraits of literary women : $b by themselves and others, Volume 2 (of 2)
Authors, English -- Biography; Women authors, English -- Biography
When I was seven years old, ... I was kept from chapel one Sunday
afternoon by some ailment or other. When the house door closed
behind the chapel-goers I looked at the books on the table. The
ugliest-looking of them was turned down open, and my turning it up
was one of the leading incidents of my life. That plain, clumsy,
calf-bound volume was ‘Paradise Lost,’ and the common bluish paper,
with its old-fashioned type, became as a scroll out of heaven to me.
The first thing I saw was “Argument,” which I took to mean a dispute,
and supposed to be stupid enough, but there was something about Satan
cleaving Chaos which made me turn to the poetry; and my mental destiny
was fixed for the next seven years. That volume was henceforth never to
be found but by asking me for it, till a young acquaintance made me a
present of a little Milton of my own. In a few months, I believe, there
was hardly a line in ‘Paradise Lost’ that I could not have instantly
turned to. I sent myself to sleep by repeating it; and when my curtains
were drawn back in the morning, descriptions of heavenly light rushed
into my memory. I think this must have been my first experience of
moral relief through intellectual resource. I am sure I must have been
somewhat happier from that time forward.... My beloved hour of the
day was when the cloth was drawn, and I stole away from the dessert
and read Shakespeare by firelight, in winter, in the drawing-room. My
mother was kind enough to allow this breach of good family manners;
and again, at a subsequent time, when I took to newspaper reading
very heartily. I have often thanked her for this forbearance since.
Our newspaper was the _Globe_, in its best days, when, without
ever mentioning Political Economy, it taught it, and viewed public
affairs in its light.... I was all the while becoming a political
economist without knowing it, and, at the same time, a sort of walking
concordance of Milton and Shakespeare.
[Sidenote: Political Economy at fifteen.]
HARRIET MARTINEAU: ‘Autobiography.’
* * * * *
[Sidenote: Deafness.]
Her deafness, which was the most commonly known of her deficiencies of
sensation, was not her earliest deprivation of a sense. She was never
able to smell, that she could remember; and as smell and taste are
intimately joined together, and a large part of what we believe to be
flavor is really odor, it naturally followed that she was also nearly
destitute of the sense of taste. Thus, two of the avenues by which the
mind receives impressions from the outer world were closed to her all
her life, and a third was also stopped before she reached womanhood.
MRS. FENWICK MILLER: ‘Harriet Martineau.’ (Famous Women Series.)
Boston: Roberts Brothers, 1885.
* * * * *
[Sidenote: Lack of the sense of taste.]
Public-domain text, read in full here on John Shaqi.
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