Pencil Sketches; or, Outlines of Character and MannersLeslie, Eliza
General
Pencil Sketches; or, Outlines of Character and Manners
Leslie, Eliza
Humorous stories; Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
His wife, Martha, was a plump, notable, quiet, pleasant-faced woman,
aged about fifty-five, but very old-fashioned in looks and ideas. During
the morning, when she assisted her servant girl, Mrs. Jones wore a
calico short gown, a stuff petticoat, and a check-apron, with a close
muslin cap--in the afternoon her costume was a calico long gown, a white
linen apron, and a thinner muslin cap with brown ribbon; and on Sundays
a silk gown, a clear muslin apron, and a still thinner and much larger
cap trimmed with gray ribbon. Everything about them had an air of homely
comfort, and they lived plainly and substantially. Peter brought home
every morning on his arm an amply-filled market basket; but on Sundays
their girl was always seen, before church time, carrying to the baker's
a waiter containing a large dish that held a piece of meat mounted on a
trivet with abundance of potatoes around and beneath, and also a huge
pudding in a tin pan.
Peter Jones, who proportioned all his expenses so as to keep an even
balance, allowed himself and his wife to go once in the season to the
theatre, and that was on the anniversary of their wedding, an event of
which he informed his neighbours he had never found cause to repent.
This custom had been commenced the first year of their marriage, and
continued ever since; and as their plays were few and far between, they
enjoyed them with all the zest of novices in the amusement. To them
every actor was good, and every play was excellent; the last being
generally considered the best. They were not sufficiently familiar with
the drama to be fastidious in their taste; and happily for them, they
were entirely ignorant of both the theory and practice of criticism. To
them a visit to the theatre was a great event; and on the preceding
afternoon the neighbours always observed symptoms of restlessness in
Peter, and a manifest disinclination to settle himself to anything.
Before going to bed, he regularly, on the eve of this important day,
went round to the theatre to look at the bills that are displayed in the
vestibule a night in advance; being too impatient to wait for the
announcement in the morning papers. When the play-day actually came, he
shut up his shop at noon, and they had an earlier and better dinner than
usual. About three, Peter appeared in full dress with a ruffled shirt
and white cravat, wandering up and down the pavement, going in and out
at the front-door, singing, whistling, throwing up his stick and
catching it, stopping every one he knew, to have a talk with them on
theatricals, and trying every device to while away the intervening
hours. At four, the tea-table was set, that they might get over the
repast in good time, and, as Mrs. Jones said, "have it off their minds."
Public-domain text, read in full here on John Shaqi.
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