Pencil Sketches; or, Outlines of Character and MannersLeslie, Eliza
General
Pencil Sketches; or, Outlines of Character and Manners
Leslie, Eliza
Humorous stories; Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
The play-day was late in the spring, and near the close of the season;
and while the sun was yet far above the horizon, Mr. and Mrs. Jones
issued from their door, and walked off, arm-in-arm, with that peculiar
gait that people always adopt when going to the theatre: he swinging his
clouded cane with its ivory top and buckskin tassel, and she fanning
herself already with a huge green fan with black sticks; and ambling
along in her best shoes and stockings, and her annual silk gown, which,
on this occasion, she always put on new.
As they went but once a year, they determined on doing the thing
respectably, and on having the best possible view of the stage;
therefore they always took seats in an upper front box. Arriving so
early, they had ample time to witness the gradual filling of the house,
and to conjecture who was coming whenever a box door was thrown open. To
be sure, Peter had frequent recourse to his thick, heavy, but unerring
silver watch, and when he found that it still wanted three quarters of
an hour of the time for the curtain to rise, his wife sagely remarked to
him that it was better to be even two hours too early than two minutes
too late; and that they might as well get over the time in sitting in
the play-house as in sitting at home. Their faces always brightened
exceedingly when the musicians first began to emerge from the subterrany
below, and took their places in the orchestra. Mrs. Jones pitied
extremely those that were seated with their backs to the stage, and
amusing herself with counting the fiddles, and observing how gradually
they diminished in size from the bass viol down; till her husband
explained to her that they diminished up rather than down, the smallest
fiddle being held by the boss or foreman of the band. Great was their
joy (and particularly that of Peter), when the increasing loudness of
the instruments proclaimed that the overture was about to finish; when
glimpses of feet appearing below the green curtain, denoted that the
actors were taking their places on the stage, when the welcome tingle of
the long-wished-for bell turned their eyes exultingly to the upward
glide of the barrier that had so long interposed between them and
felicity.
Many a listless and fastidious gentleman, having satiated himself with
the theatre by the nightly use of a season ticket (that certain
destroyer of all relish for dramatic amusements), might have envied in
our plain and simple-minded mechanic the freshness of sensation, the
unswerving interest, and the unqualified pleasure with which he regarded
the wonders of the histrionic world.
Public-domain text, read in full here on John Shaqi.
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