Pencillings by the Way: Written During Some Years of Residence and Travel in EuropeWillis, Nathaniel Parker
General
Pencillings by the Way: Written During Some Years of Residence and Travel in Europe
Willis, Nathaniel Parker
Europe -- Description and travel
"_Poland est a bas!_" was the answer, with a look of heroic sorrow,
that would have become a tragedy queen, mourning for the loss of a
throne. The French manner, for once, did not appear exaggerated. It
was news to sadden us all. Pity! pity! that the broad Christian world
could look on and see this glorious people trampled to the dust in one
of the most noble and desperate struggles for liberty that the earth
ever saw! What an opportunity was here lost to France for setting a
seal of double truth and splendor on her own newly-achieved triumph
over despotism. The washerwoman broke the silence with "_Any clothes
to wash, Monsieur?_" and in the instant return of my thoughts to my
own comparatively-pitiful interests, I found the philosophy for all I
had condemned in kings--the humiliating and selfish individuality of
human nature! And yet I believe with Dr. Channing on that dogma.
At ten o'clock I had performed the traveller's routine--had submitted
my trunk and my passport to the three authorities, and had got into
(and out of) as many mounting passions at what seemed to me the
intolerable impertinencies of searching my linen, and inspecting my
person for scars. I had paid the porter three times his due rather
than endure his cataract of French expostulation; and with a bunch of
keys, and a landlady attached to it, had ascended by a cold, wet,
marble staircase, to a parlor and bedroom on the fifth floor: as
pretty a place, when you get there, and as difficult to get to as if
it were a palace in thin air. It is perfectly French! Fine, old,
last-century chairs, covered with splendid yellow damask, two sofas of
the same, the legs or arms of every one imperfect; a coarse wood
dressing-table, covered with fringed drapery and a sort of throne
pincushion, with an immense glass leaning over it, gilded probably in
the time of Henri Quatre; artificial flowers all around the room, and
prints of Atala and _Napoleon mourant_ over the walls; windows opening
to the floor on hinges, damask and muslin curtains inside, and boxes
for flower-pots without; a bell-wire that pulls no bell, a bellows too
asthmatic even to wheeze, tongs that refuse to meet, and a carpet as
large as a table-cloth in the centre of the floor, may answer for an
inventory of the "parlor." The bedchamber, about half as large as the
boxes in Rattle-row, at Saratoga, opens by folding doors, and
discloses a bed, that, for tricksy ornament as well as size, might
look the bridal couch for a faery queen in a panorama; the same
golden-sprig damask looped over it, tent-fashion, with splendid
crimson cord, tassels, fringes, etc., and a pillow beneath that I
shall be afraid to sleep on, it is so dainty a piece of needle-work.
There is a delusion about it, positively. One cannot help imagining,
that all this splendor means something, and it would require a worse
evil than any of these little deficiencies of _comfort_ to disturb the
self-complacent, Captain-Jackson sort of feeling, with which one
Public-domain text, read in full here on John Shaqi.
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