Penelope : $b or, Love's labour lost. A novel. Volume 2 (of 3)Scargill, William Pitt
General
Penelope : $b or, Love's labour lost. A novel. Volume 2 (of 3)
Scargill, William Pitt
England -- Social life and customs -- 19th century -- Fiction
To the ear of Lord Spoonbill there was something exceedingly graceful
and musical in the tone with which this language was uttered. There
is indeed an indescribable beauty in the accents of a grateful mind
fearful of having offended its benefactor. His lordship was aware of
his mother's feelings on the subject of the probable loss of Penelope,
and his lordship was himself also fearful of losing her. But he did
not use the language of harshness under that apprehension, he sought
rather to retain her by kindness of expression. Assuming therefore an
unusual tenderness and considerateness of manner, he took the young
lady's hand, as if unconsciously, but in truth designedly, and holding
the hand with sufficient firmness to prevent it being withdrawn, but
not so as to excite suspicion or thought of intentional seriousness, he
said:
"I am very sorry that anything which the Countess may have said, has
given you uneasiness; but my mother has a peculiar earnestness and
hastiness of manner, that you have mistaken for anger. No one can ever
be offended with Miss Primrose."
There was a little pause, during which Lord Spoonbill endeavoured to
catch a glance of the expression of Penelope's countenance, without
appearing to make any particular observation; and, in this short
pause, Penelope almost sighed. Lovers delight to hear sighs, and Lord
Spoonbill was especially pleased at this symptom of emotion in Miss
Primrose. Retaining her hand therefore, and softening his tone down to
deeper tenderness, he continued:
"The Countess no doubt will be sorry to lose you, if the return of your
father necessarily involves that condition. But let us hope that may
not be the case."
Having thus spoken, his lordship pressed the young lady's hand more
emphatically, and sighed. Now, by rights, Penelope should at this have
started up, and suddenly withdrawing her hand, knitting her brows,
advancing three steps backward and darting a look of indignation at
his lordship, should have exclaimed, "Unhand me, my lord; what is the
meaning of this language?" But Penelope neither did nor said anything
of the kind. For the word 'unhand' was not in her dictionary, and she
had been too long acquainted with Lord Spoonbill to expect that he
should be able to explain the meaning of all he said. There was also
another reason why the young lady did not thus express indignation
and astonishment; namely, that having no suspicion of the views or
intentions of his lordship, she did not observe or rightly interpret
his language and his sigh. In addition to this, it may be also supposed
that the expectation of her father's arrival had some influence in
rendering her unobservant of everything else.
Emboldened by the unresisting manner in which Penelope listened to his
conversation, his lordship proceeded to speak less equivocally, and
grasping with both his hands the still unremoved hand of Penelope, and
assuming a look and tone of tenderness, he said:
Public-domain text, read in full here on John Shaqi.
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