Penelope Brandling: A Tale of the Welsh coast in the Eighteenth Century — John Shaqi
Penelope Brandling: A Tale of the Welsh coast in the Eighteenth CenturyLee, Vernon
General
Penelope Brandling: A Tale of the Welsh coast in the Eighteenth Century
Lee, Vernon
Castles -- Fiction; Gothic fiction; Married women -- Fiction; Smugglers -- Fiction; Uncles -- Fiction; Wales -- Fiction
"An elegant little air, egad," he says, "I wish I could remember the
second part. Don't let my strumming disturb you. You have still four
minutes to think over your answer, dear Lady Brandling." The familiar
notes aroused me from my stupor. I got up and walked slowly to the
harpsichord, at which Hubert was lolling and strumming.
"Well, my dear?" he asks insolently, and the notes seemed to ooze out
from under his fingers, "have I got the tune right? Is that it?"
"The tune," I answered, "is this: Mr. Hubert Brandling, in the name of
God Almighty, whose ministry you have defiled, and whose law you have
placed yourself outside, I take it upon myself to judge and put you to
death as a wrecker and a murderer." I drew Eustace's pistol from my
pocket, aimed steadily and fired. I was half stunned by the report; but
through the smoke of my own weapon, I saw Hubert reel and fall across
the harpsichord, whose jangling mingled with his short, sharp cry. Even
after fifty years, I quite understand how I did _that_, and when I
recall it all, I feel that, old as I am, I would do it over again. What
I cannot explain is what I did afterwards, nor the amazing coolness and
clearness of head which I enjoyed at that moment. For without losing a
minute I went to the harpsichord, and despite the horrid, hot trickle
all over my hands, I turned out his pockets and took his keys. Then I
left the room, locked it from the outside, and went downstairs singing
that French shepherd's song at the top of my voice. The fearful
stillness was beginning to frighten me, when, just as I felt my throat
grow dry and my voice faint, the same tune answered me in a low whistle,
from out of Hubert's study. I knew my husband's whistle, and yet the
fact of Hubert's room, the fact that Hubert had been strumming that
tune, filled me, for the first time, with horror. But I found the key on
the bunch, and unlocked the door. Eustace was seated in an arm chair,
unbound, but his clothes torn as after a scuffle.
"Eustace," I said, "I--I have killed Hubert." But to my astonishment he
barely gave me time to utter the words; and starting from the chair:
"Quick, quick!" he cries, "there is not a moment to lose. Another ten
minutes and we also are dead!" and seizing my arm he drags me away, down
the remaining stairs, out by the main door and then at a run across the
yard and up into the dripping shrubbery.
"Eustace, Eustace!" I cried breathless, "this is not the way; we shall
be seen from the stables."
"No matter," he answered hoarsely, and dragging, almost carrying, me
along, "run, Penelope, for our lives."
After about five minutes of desperate and, it seemed to me, random and
mad climbing up through the wet bushes, he suddenly stopped and drew
forth his watch.
"Where is Davies? At the turn of the road? Not in the house, at least,
there is no one in the house? No one except--except that dead man?"
Public-domain text, read in full here on John Shaqi.
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