Penelope's Experiences in Scotland: Being Extracts from the Commonplace Book of Penelope HamiltonWiggin, Kate Douglas Smith
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Penelope's Experiences in Scotland: Being Extracts from the Commonplace Book of Penelope Hamilton
Wiggin, Kate Douglas Smith
Scotland -- Fiction
Perhaps it was the weather, but I could think of nothing but poor Queen
Mary! She had drifted into my imagination with the haar, so that I could
fancy her homesick gaze across the water as she murmured, 'Adieu, ma
chere France! Je ne vous verray jamais plus!'--could fancy her saying as
in Allan Cunningham's verse:--
'The sun rises bright in France,
And fair sets he;
But he hath tint the blithe blink he had
In my ain countree.'
And then I recalled Mary's first good-night in Edinburgh: that 'serenade
of 500 rascals with vile fiddles and rebecks'; that singing, 'in bad
accord,' of Protestant psalms by the wet crowd beneath the palace
windows, while the fires on Arthur's Seat shot flickering gleams of
welcome through the dreary fog. What a lullaby for poor Mary, half
Frenchwoman and all Papist!
It is but just to remember the 'indefatigable and undissuadable' John
Knox's statement, 'the melody lyked her weill, and she willed the same
to be continewed some nightis after.' For my part, however, I distrust
John Knox's musical feeling, and incline sympathetically to the Sieur
de Brantome's account, with its 'vile fiddles' and 'discordant psalms,'
although his judgment was doubtless a good deal depressed by what he
called the si grand brouillard that so dampened the spirits of Mary's
French retinue.
Ah well, I was obliged to remember, in order to be reasonably happy
myself, that Mary had a gay heart, after all; that she was but nineteen;
that, though already a widow, she did not mourn her young husband as one
who could not be comforted; and that she must soon have been furnished
with merrier music than the psalms, for another of the sour comments
of the time is, 'Our Queen weareth the dule [weeds], but she can dance
daily, dule and all!'
These were my thoughts as we drove through invisible streets in the
Edinburgh haar, turned into what proved next day to be a Crescent, and
drew up to an invisible house with a visible number 22 gleaming over
a door which gaslight transformed into a probability. We alighted, and
though we could scarcely see the driver's outstretched hand, he was
quite able to discern a half-crown, and demanded three shillings.
The noise of our cab had brought Mrs. M'Collop to the door,--good (or
at least pretty good) Mrs. M'Collop, to whose apartments we had been
commended by English friends who had never occupied them.
Dreary as it was without, all was comfortable within-doors, and a cheery
(one-and-sixpenny) fire crackled in the grate. Our private drawing-room
was charmingly furnished, and so large that, notwithstanding the
presence of a piano, two sofas, five small tables, cabinets, desks, and
chairs,--not forgetting a dainty five-o'clock tea equipage,--we might
have given a party in the remaining space.
Public-domain text, read in full here on John Shaqi.
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