Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in ScotlandWiggin, Kate Douglas Smith
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Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in Scotland
Wiggin, Kate Douglas Smith
Americans -- Scotland -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
She wears an expression which can mean only one of two things: either
she has heard of the national tomahawk and is afraid of violence on
our part, or else her mother was frightened before she was born. This
applies in general to her walk and voice and manner, but is it fear
that prompts her eternal "I couldna say," or is it perchance Scotch
caution and prudence? Is she afraid of projecting her personality too
indecently far? Is it the influence of the "catecheesm" on her early
youth? Is it the indirect effect of heresy trials on her imagination?
Does she remember the thumb-screw of former generations? At all
events, she will neither affirm nor deny, and I am putting her to all
sorts of tests, hoping to discover finally whether she is an accident,
an exaggeration, or a type.
Salemina thinks that our American accent may confuse her. Of course
she means Francesca's and mine, for she has none; although we have
tempered ours so much for the sake of the natives, that we can
scarcely understand each other any more. As for Susanna's own accent,
she comes from the heart of Aberdeenshire, and her intonation is
beyond my power to reproduce.
We naturally wish to identify all the national dishes; so, "Is this
cockle soup, Susanna?" I ask her, as she passes me the plate at
dinner.
"I couldna say."
"This vegetable is new to me, Susanna; is it perhaps sea-kail?"
"I canna say, mam."
Then finally, in despair, as she handed me a boiled potato one day, I
fixed my searching Yankee brown eyes on her blue-Presbyterian,
non-committal ones and asked, "What is this vegetable, Susanna?"
In an instant she withdrew herself, her soul, her ego, so utterly that
I felt myself gazing at an inscrutable stone image, as she replied, "I
couldna say, mam."
This was too much! Her mother may have been frightened, very badly
frightened, but this was more than I could endure without protest. The
plain boiled potato is practically universal. It is not only common to
all temperate climates, but it has permeated all classes of society. I
am confident that the plain boiled potato has been one of the chief
constituents in the building up of that frame in which Susanna Crum
conceals her opinions and emotions. I remarked, therefore, as an
apparent afterthought, "Why, it is a potato, is it not, Susanna?"
What do you think she replied, when thus hunted into a corner, pushed
against a wall, driven to the very confines of her personal and
national liberty? She subjected the potato to a second careful
scrutiny, and answered, "I wouldna say it's no!"
Now there is no inherited physical terror in this. It is the
concentrated essence of intelligent reserve, caution, and obstinacy;
it is a conscious intellectual hedging; it is a dogged and determined
attempt to build up barriers of defense between the questioner and the
questionee: it must be, therefore, the offspring of the catechism and
the heresy trial.
Public-domain text, read in full here on John Shaqi.
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