Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in ScotlandWiggin, Kate Douglas Smith
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Penelope's Progress: Being Such Extracts from the Commonplace Book of Penelope Hamilton As Relate to Her Experiences in Scotland
Wiggin, Kate Douglas Smith
Americans -- Scotland -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
The weather that greeted us on our unheralded arrival in Scotland was
of the precise sort offered by Edinburgh to her unfortunate queen,
when,
"After a youth by woes o'ercast,
After a thousand sorrows past,
The lovely Mary once again
Set foot upon her native plain."
John Knox records of those memorable days: "The very face of heaven
did manifestlie speak what comfort was brought to this country with
hir--to wit, sorrow, dolour, darkness and all impiety--for in the
memorie of man never was seen a more dolorous face of the heavens than
was at her arryvall ... the myst was so thick that skairse micht onie
man espy another; and the sun was not seyn to shyne two days befoir
nor two days after."
We could not see Edina's famous palaces and towers because of the
_haar_, that damp, chilling, drizzling, dripping fog or mist which the
east wind summons from the sea; but we knew that they were there,
shrouded in the heart of that opaque mysterious grayness, and that
before many hours our eyes would feast upon their beauty.
Perhaps it was the weather, but I could think of nothing but poor
Queen Mary! She had drifted into my imagination with the _haar_, so
that I could fancy her homesick gaze across the water as she murmured,
"_Adieu, ma chere France! Je ne vous verray jamais plus!_"--could
fancy her saying as in Allan Cunningham's verse:--
"The sun rises bright in France,
And fair sets he;
But he hath tint the blithe blink he had
In my ain countree."
And then I recalled Mary's first good-night in Edinburgh: that
"serenade of 500 rascals with vile fiddles and rebecks;" that singing,
"in bad accord," of Protestant psalms by the wet crowd beneath the
palace windows, while the fires on Arthur's Seat shot flickering
gleams of welcome through the dreary fog. What a lullaby for poor
Mary, half Frenchwoman and all Papist!
It is but just to remember the "indefatigable and undissuadable" John
Knox's statement, "the melody lyked her weill and she willed the same
to be continewed some nightis after." For my part, however, I distrust
John Knox's musical feeling, and incline sympathetically to the Sieur
de Brantome's account, with its "vile fiddles" and "discordant
psalms," although his judgment was doubtless a good deal depressed by
what he called the _si grand brouillard_ that so dampened the spirits
of Mary's French retinue.
Ah well, I was obliged to remember, in order to be reasonably happy
myself, that Mary had a gay heart, after all; that she was but
nineteen; that, though already a widow, she did not mourn her young
husband as one who could not be comforted; and that she must soon have
been furnished with merrier music than the psalms, for another of the
sour comments of the time is, "Our Queen weareth the dule [weeds], but
she can dance daily, dule and all!"
Public-domain text, read in full here on John Shaqi.
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