Civilization, Western -- Fiction; France -- Civilization -- Fiction; Penguins -- Fiction; Satire
Having said this, I snatched the golden branch from its ancient trunk
and I advanced without fear into the smoking gulf that leads to the
miry banks of the Styx, upon which the shades are tossed about like
dead leaves. At sight of the branch dedicated to Proserpine, Charon
took me in his bark, which groaned beneath my weight, and I alighted on
the shores of the dead, and was greeted by the mute baying of the
threefold Cerberus. I pretended to throw the shade of a stone at him,
and the vain monster fled into his cave. There, amidst the rushes,
wandered the souls of those children whose eyes had but opened and shut
to the kindly light of day, and there in a gloomy cavern Minos judges
men. I penetrated into the myrtle wood in which the victims of love
wander languishing, Phaedra, Procris, the sad Eriphyle, Evadne,
Pasiphaë Laodamia, and Cenis, and the Phœnician Dido. Then I went
through the dusty plains reserved for famous warriors. Beyond them open
two ways. That to the left leads to Tartarus, the abode of the wicked.
I took that to the right, which leads to Elysium and to the dwellings
of Dis. Having hung the sacred branch at the goddess’s door, I reached
pleasant fields flooded with purple light. The shades of philosophers
and poets hold grave converse there. The Graces and the Muses formed
sprightly choirs upon the grass. Old Homer sang, accompanying himself
upon his rustic lyre. His eyes were closed, but divine images shone
upon his lips. I saw Solon, Democritus, and Pythagoras watching the
games of the young men in the meadow, and, through the foliage of an
ancient laurel, I perceived also Hesiod, Orpheus, the melancholy
Euripides, and the masculine Sappho. I passed and recognised, as they
sat on the bank of a fresh rivulet, the poet Horace, Varius, Gallus,
and Lycoris. A little apart, leaning against the trunk of a dark
holm-oak, Virgil was gazing pensively at the grove. Of lofty stature,
though spare, he still preserved that swarthy complexion, that rustic
air, that negligent bearing, and unpolished appearance which during his
lifetime concealed his genius. I saluted him piously and remained for a
long time without speech.
At last when my halting voice could proceed out of my throat:
“O thou, so dear to the Ausonian Muses, thou honour of the Latin name,
Virgil,” cried I, “it is through thee I have known what beauty is, it
is through thee I have known what the tables of the gods and the beds
of the goddesses are like. Suffer the praises of the humblest of thy
adorers.”
Public-domain text, read in full here on John Shaqi.
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