"Honestly, I don't think that is so. I am still beautiful: I am more sympathetic than in my somewhat callous youth, therefore more popular: I am good company: I have the influence that money carries with it, and I could even now make what is known as a 'brilliant' marriage. Did you ever wonder--everybody else did, I know--why I never married? Simply, my dear, because the only man I cared for didn't ask me ... and now I am forty. (How stark and almost indecent it looks written down like that!) At forty, one is supposed to have got over all youthful fancies and disappointments, and lately it has seemed to me reasonable to contemplate a common-sense marriage. A politician, wise, honoured, powerful--and sixty. What could be more suitable? So suitable that I ran away--an absurdly young thing to do at forty--and I am writing to you in the train on my way to Scotland.... You see, Biddy, I quite suddenly saw myself growing old, saw all the arid years in front of me, and saw that it was a very dreadful thing to grow old caring only for the things of time. It frightened me badly. I don't want to go in bondage to the fear of age and death. I want to grow old decently, and I am sure one ought to begin quite early learning how. "'Clear eyes do dim at last And cheeks outlive their rose: Time, heedless of the past, No loving kindness knows.' Yes, and 'youth's a stuff will not endure,' and 'golden lads and girls all must like chimney-sweepers come to dust.' The poets aren't at all helpful, for youth--poor brave youth--won't listen to their warnings, and they seem to have no consolation to offer to middle age. "The odd thing is that up to a week or two ago I greatly liked the life I led. You said it would kill you in a month. Was it only last May that you pranced in the drawing-room in Grosvenor Street inveighing against 'the whole beastly show,' as you called it--the freak fashions, the ugly eccentric dances, the costly pageant balls, the shouldering, the striving, the worship of money, the gambling, the self-advertisement--all the abject vulgarity of it? And my set, the artistic, soulful literary set, you said was the worst of all: you actually described the high-priestess as looking like a 'decomposing cod-fish,' and added by way of a final insult that you thought the woman had a kind heart. "And I laughed and thought the War had changed you. It didn't change me, to my shame be it said. I thought I was doing wonders posing about in a head-dress at Red Cross meetings, and getting up entertainments, and even my neverceasing anxiety about you simply seemed to make me more keen about amusing myself.