Bildungsromans; Boys -- Fiction; Humorous stories; Male friendship -- Fiction; Middle West -- Fiction
Naturally, he fell asleep. And toward the conclusion of his slumbers, he
had this singular adventure: a lady set her foot down within less than
half an inch of his nose--and neither of them knew it. Verman slept on,
without being wakened by either the closing or the opening of the
door. What did rouse him was something ample and soft falling upon
him--Margaret's cape, which slid from the hook after she had gone.
Enveloped in its folds, Verman sat up, corkscrewing his knuckles
into the corners of his eyes. Slowly he became aware of two important
vacuums--one in time and one in his stomach. Hours had vanished
strangely into nowhere; the game of bonded prisoner was something cloudy
and remote of the long, long ago, and, although Verman knew where
he was, he had partially forgotten how he came there. He perceived,
however, that something had gone wrong, for he was certain that he ought
not to be where he found himself.
WHITE-FOLKS' HOUSE! The fact that Verman could not have pronounced these
words rendered them no less clear in his mind; they began to stir
his apprehension, and nothing becomes more rapidly tumultuous than
apprehension once it is stirred. That he might possibly obtain release
by making a noise was too daring a thought and not even conceived,
much less entertained, by the little and humble Verman. For, with the
bewildering gap of his slumber between him and previous events, he did
not place the responsibility for his being in White-Folks' House upon
the white folks who had put him there. His state of mind was that of the
stable-puppy who knows he MUST not be found in the parlour. Not thrice
in his life had Verman been within the doors of White-Folks' House, and,
above all things, he felt that it was in some undefined way vital to him
to get out of White-Folks' House unobserved and unknown. It was in his
very blood to be sure of that.
Further than this point, the processes of Verman's mind become
mysterious to the observer. It appears, however, that he had a definite
(though somewhat primitive) conception of the usefulness of disguise;
and he must have begun his preparations before he heard footsteps in the
room outside his closed door.
These footsteps were Margaret's. Just as Mr. Schofield's coffee was
brought, and just after Penrod had been baffled in another attempt to
leave the table, Margaret rose and patted her father impertinently upon
the head.
“You can't bully ME that way!” she said. “I got home too late to dress,
and I'm going to a dance. 'Scuse!”
And she began her dancing on the spot, pirouetting herself swiftly out
of the room, and was immediately heard running up the stairs.
“Penrod!” Mr. Schofield shouted. “Sit down! How many times am I going to
tell you? What IS the matter with you to-night?”
“I GOT to go,” Penrod gasped. “I got to tell Margaret sumpthing.”
“What have you 'got' to tell her?”
“It's--it's sumpthing I forgot to tell her.”
Public-domain text, read in full here on John Shaqi.
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