There was something tender and hard and even scared in his mother's
words.
Ed's dad also had his comments. Dad was something called a minerals
expert.
"Come on, Eddie, let's rassle," he'd say. "Stick your chin out, boy.
Let's see how tough you can look. No, not mean-tough.... That's better.
We've got to lick the times we live in. And something in ourselves.
With machines doing so much for us, life can be soft. And sensipsych
dreams are soft. Everything in moderation. Dreams can make you feel as
helpless as an oyster. Until you despise yourself and the whole race.
Yes, people found out. They were always meant to feel strong and proud,
and they must have tasks equal to their increasing powers. Otherwise
there's spiritual rot. We've got to be ready for anything, feel our
way, try to be ready to keep our balance for whatever comes. Because
life could be terrible, too, if the wonderful forces we control got out
of hand. We've got to go on progressing--moving out to the planets, and
then maybe the stars. Got to go either ahead or backward. Can't stand
still. And it's easy to go backward nowadays. Got to fight that, Eddie,
or else there might be a kind of death."
"What is death, Dad?"
Ed's father would answer his son's serious expression with a gay grin.
"A kind of myth, now, boy. Just going to sleep and never waking up. We
hope it's mostly finished, for everybody. Even the disease of old age
turned out to be something like rust gathering in a pipe. Simple. It
can be fixed up. Some people even let themselves get old. But they can
be made young again. Always."
Eddie had other questions.
"You were born in the old way, Eddie," his mother said. "But _so many_
people are needed now to populate the solar system. So everybody can't
be born from his mother's body. There's another way; almost the same,
really. Babies are born--they're made, really--in a laboratory. Then
they live in a youth center, like the one on the hill."
Eddie saw its great white spire looming among the trees. Often he could
hear voices in the gardens and playgrounds on the terraced setbacks of
its many levels. The voices seemed mysterious somehow.
Public-domain text, read in full here on John Shaqi.
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