People of the Whirlpool: From The Experience Book of a Commuter's WifeWright, Mabel Osgood
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People of the Whirlpool: From The Experience Book of a Commuter's Wife
Wright, Mabel Osgood
Diary fiction; Epistolary fiction; United States -- Social life and customs -- 20th century -- Fiction
No, neither; he carefully closed the door against Martha's possible
entrance, seriously and respectfully put the precious objects on a plate,
to which he gave a place of honour on the mantel shelf, and after
removing as far as possible all traces of beet from face and hands in his
sacred office lavatory, he took Richard with him into the depths of the
great chair and told the happy child his favourite rigmarole, all about
the "three gentlemen of high degree," who do our housework for us. How
the lungs, who are Siamese twins, called to the heart to pump them up
some blood to air, because they were almost out of work, and how the big
lazy liver lay on one side and groaned because he had drunk too much
coffee for breakfast, and had a headache,--until Richard really felt that
he had achieved something. So the first thing this morning he set about
making a snow man, that he might put the beet vitals in their proper
places, nearly convulsing father by their location. Though, as he told
me, they were accurate, compared to the ideas of many trained nurses with
whom he had come in contact.
But where was Ian during the beet carving? Father quite forgot him
until, Richard falling asleep in his arms, he arose to tuck him up on
the sofa. A sound of the slow turning of large pages guided him to the
corner by the bay window where some bookcases, standing back to back,
made a sort of alcove. There was Ian, flat upon his stomach, while
before him the "Wandering Jew" legend, with the Doré pictures, lay open
at the final scene--The Last Judgment--where the Jew, his journey over,
looks up at the angels coming to greet him, while little devils pull
vainly at his tattered boots. It was not the Jew or the angels, however,
that held Ian's attention, and whose outlines he was tracing with his
forefinger, but the devils, one big fellow with cows' horns and wings
drooping like those of a moulting crow, and a bevy of imps with young
horns and curly tails who were pulling a half-buried body toward the
fiery pit by its hair.
Father explained the pictures in brief, and closed the book as quickly as
possible, thinking the boy might be frightened in his dreams by the
demons. But no, Ian was fascinated, not frightened. He would have liked
the pygmies to come and play with him, and he turned to father with a
sigh, saying, "They're bully pullers, dranpop. I guess if they and me
pulled against Corney Delaney we could get him over the line all right,"
one of the boys' favourite pastimes being to play tug-of-war with the
goat, the rope being fastened to its horns, but Corney was always
conqueror.
Neither did Ian forget the imps quickly, as some children do their
impressions, but strove to model them this morning, making round snow
bodies, carrot horns, corncob legs, and funny celery tails; the result
being positively startling and "overmuch like witch brats," as Effie
declared, with bulging eyes.
Public-domain text, read in full here on John Shaqi.
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