Peradventure; or, The Silence of GodKeable, Robert
Religion
Peradventure; or, The Silence of God
Keable, Robert
Church of England -- Fiction; Religion -- Fiction; Young men -- Fiction
On the other hand, at Thurloe, humour raced unrestrainedly. The
morning's post brought laughter (and tears) with it always. The day's
work was a perpetual surprise. Father Vassall would announce his
intention of doing something with as solemn a determination as Mr.
Kestern would have given to a month's holiday. "I shall wr-wr-write on
the v-v-verandah all the morning," he would announce firmly. Or: "I
shall r-r-read in the p-p-parlour for t-t-two hours." Sometimes he
would go to his room, and not reappear till luncheon. Sometimes he
would return to the chapel after breakfast for just as long. In the
evenings, before the fire, he would read what he had written during the
day, or Paul would read to him. Or they would make tapestry, or
wood-carve, or Father Vassall would play the piano; or sit still,
occasionally talking, but much more often sitting silently, while peace
dripped slowly in on Paul's soul. One never did nothing at Claxted.
He himself, in the mornings, usually strolled round till some corner
seemed inevitable for a letter, a book, or a poem, or the little table
in his bedroom beckoned inexorably to work. In a sentence, the day
arranged itself; perhaps better, it presented itself arranged; at
Claxted, as it was in the beginning, so it was, and ever would be.
Then again, at Thurloe End, the house was invested with a personality.
Paul used to wander around at first, making friends. The rooms stood
back, gravely, but with a smile hidden in them. The furniture belonged
to the house, and had been selected by it, he felt, with care. It had
chosen unvarnished oak, for the most part, because its tall, clear
windows were looking up always to the light, and old oak is wise about
light, taking its measure and passing the rest on enriched. Its
chairs, forms, tables, bookcases, were like open hands, holding much
graciousness. Moreover it was gravely proud of itself, and not ashamed
of its wide walls and the pools of its floors. Where it held out a
picture or a print, it did so with a curious restraint, yet with a kind
of courtesy. It wore pictures like a beautiful woman wears jewels.
Public-domain text, read in full here on John Shaqi.
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