Peradventure; or, The Silence of GodKeable, Robert
Religion
Peradventure; or, The Silence of God
Keable, Robert
Church of England -- Fiction; Religion -- Fiction; Young men -- Fiction
Into the garish light, heralded with clashing cymbals, advanced three
African girls with elaborately dressed woolly hair, thick rouged lips,
bright laughing eyes. Their legs and feet were bare. Short coloured
skirts reached only to the knee, and scarcely to that. Above the waist
they wore only tiny bodices of vivid colour, red and yellow, which were
bound tightly across breasts firmly outlined beneath them. Gaudy
necklaces of beads and coins sparkled around their necks, and a host of
jingling bangles decorated their bare arms. Each carried a tambourine,
and to the accompaniment of native drums, they postured and danced.
It was no more than a _danse du ventre_, but it was at least a new
experience for Paul.
A tense stillness settled gradually down on the audience, it seemed to
him. The edge of the broken irregular circle of light filled up with
faces, a grey and black wall of them, a fence of gleaming staring eyes.
The drums beat in a wild rhythm, and shrill native pipes broke in.
Wilder and wilder grew the dance. The protuberant posturings, the
voluptuous writhings of which he hardly guessed the meaning, the
extraordinary wheelings in swift steps during which the three
performers shook their heavy buttocks brazenly at the gazing crowd,
glancing over their shoulders the while, were abandoned for more
reckless tossing of arms and legs, more shrill, more cacophonous music.
Paul grew white. The Major leaned over towards the ladies. "Er--er,"
he stammered, red-faced. "I think perhaps it's getting late. Hadn't
we better be going?"
"Certainly," said Muriel, getting up at once. Paul followed suit.
"Wait till this is over," said Ursula, coolly. "You can't leave in the
middle of a turn."
Paul moistened his lips.
And then, from the wings, into the blaze and noise, danced a swift
figure. The girl was perhaps an Abyssinian with maybe French blood in
her veins;--she was known at any rate to the crowd who cheered as one
man and shouted her name. Regularly featured, superbly framed, her
raven-black hair flowed loose about her, crowned with a scarlet flower.
Her skirt was diaphanous and spangled; a sort of loose white scarf was
held by a clasp between her breasts but floated in a cloud around her
as she moved. Her shapely back bare, her curved and lithesome body
firm, her twinkling little feet light, her colour too was at any rate
white by comparison with the previous performers. The barbaric clamour
of music died down. The three negro girls collapsed on one side. The
audience subsided with tense expectancy. She danced in silence and
alone.
Public-domain text, read in full here on John Shaqi.
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