And he certainly had given her a pretty home. The house was not large
enough to be pointed out by the conductor of the “Seeing Butte Car,”
but it had been designed by a first rate architect, and had a certain
air of spaciousness within. Mrs. Stratton had furnished a flat in
Paris two years before her husband’s death, her excuse being that the
interior of the Butte house got on her nerves, and there was no other
way to take in household goods free of duty. Ora had shipped them when
the news of her father’s death and their own poverty came, knowing that
she would get a better price for the furniture in Butte, where someone
always was building, than in Paris.
Before it arrived she had made up her mind to marry Mark Blake, and
although it was several years before they had a house she kept it in
storage. In consequence her little drawing-room with its gay light
formal French furniture was unique in Butte, city of substantial and
tasteful (sometimes) but quite unindividual homes. Mark was thankful
that he was light of foot, less the bull in the china shop than he
looked, and would have preferred red walls, an oriental divan and
Persian rugs. He felt more at home in the library, a really large room
lined from floor to ceiling not only with Ora’s but Judge Stratton’s
books, which Mark had bought for a song at the auction; and further
embellished with deep leather chairs and several superb pieces of
carved Italian furniture. Ora spent the greater part of her allowance
on books, and many hours of her day in this room. But tonight she
deliberately went into the frivolous French parlour, turned on all the
lights, and sat down to await her husband’s reappearance.
Mark, who had taken kindly to the idea of dressing for dinner, came
running downstairs in a few moments.
“In the doll’s house?” he called out, as he saw the illumination in the
drawing-room. “Oh, come on into a real room and mix me a cocktail.”
“It isn’t good for you to drink cocktails so long before eating;
Huldah, who receives ‘The People’s War Cry’ on Monday, informed me that
dinner would be half an hour late.”
“I wish you’d chuck that wooden-faced leaden-footed apology for a
servant. This is the third time----”
“And get a worse? Butte rains efficient servants! Please sit down.
I--_feel_ like this room tonight. You may smoke.”
“Thanks. I believe this is the first time you have given me permission.
But I’m bound to say the room suits you.”
Ora sat in a _chaise-longue_ of the XV^{me} Siècle, a piece of
furniture whose awkward grace gives a woman’s arts full scope. Much
exercise had preserved the natural suppleness of Ora’s body and she had
ancestral memories of all arts and wiles. Mark seated himself on the
edge of a stiff little sofa covered with faded Aubusson tapestry, and
hunched his shoulders.
“If the French women furnish their rooms like this I don’t believe
all that’s said about them,” he commented wisely. “Men like to be
comfortable even when they’re looking at a pretty woman.”
Public-domain text, read in full here on John Shaqi.
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