Dreams -- Fiction; Dystopias -- Fiction; Science fiction; Short stories
But it could be all a farce. They could all be working in the great dome
because they didn't know what was beyond. Who could know if they'd never
been beyond?
And so they were held under the domes with the buildings and the
machines that carried them all around in the city; held with the
plumbing and the theatres and all the intricate mechanisms that spoke to
them and fed them, that washed them and poured thoughts into their
minds, that healed them when they were sick and rested them when they
were tired. The same as they were held with the great dome. Held and
shackeled with the replacing of parts that didn't need replacing; the
making over and over again of the tiny and large pieces of the
mechanisms and the taking of the old mechanisms and the melting of them
or smashing of them to powder so that this dust or molten metal could be
fashioned again and again into the same pieces that they had been for so
many thousands of years. All this to keep them busy? All this to keep
something outside that was supposed to be destructive because once it
had been so five thousand years ago or ten or fifty? All this because
that was the way it had been for as long as the hundreds and the
thousands of years that history had been recorded?
He walked on through the silence, dimly aware now of the people moving
about him, of the automobiles rolling past, as though moved by some
invisible force. He passed row upon row of movie theatres that called to
him with invisible vibrations. He turned away.
Where was the little man?
He stopped, moving only his eyes. After a moment, he saw the little man
step out of a shop-front and stand waiting. Twenty-three, a cigarette in
his mouth, walked over and asked for a light. The little man touched a
lighter to the cigarette, at the same time dropping a packet of cards
into Twenty-three's pocket.
Twenty-three moved on. He felt the pounding of his heart. If only his
wife were asleep so he would not have to wait to look at these new
cards.
Public-domain text, read in full here on John Shaqi.
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