Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
Of Shelley's poetical studies we hear but little at this epoch. His
genius by a stretch of fancy might be compared to one of those double
stars which dart blue and red rays of light: for it was governed by two
luminaries, poetry and metaphysics; and at this time the latter seems to
have been in the ascendant. It is, however, interesting to learn that he
read and re-read Landor's "Gebir"--stronger meat than either Southey's
epics or the ghost-lyrics of Monk Lewis. Hogg found him one day busily
engaged in correcting proofs of some original poems. Shelley asked his
friend what he thought of them, and Hogg answered that it might be
possible by a little alteration to turn them into capital burlesques.
The idea took the young poet's fancy; and the friends between them soon
effected a metamorphosis in Shelley's serious verses, by which they
became unmistakably ridiculous. Having achieved their purpose, they now
bethought them of the proper means of publication. Upon whom should the
poems, a medley of tyrannicide and revolutionary raving, be fathered?
Peg Nicholson, a mad washerwoman, had recently attempted George the
Third's life with a carving-knife. No more fitting author could be
found. They would give their pamphlet to the world as her work, edited
by an admiring nephew. The printer appreciated the joke no less than the
authors of it. He provided splendid paper and magnificent type; and
before long the book of nonsense was in the hands of Oxford readers. It
sold for the high price of half-a-crown a copy; and, what is hardly
credible, the gownsmen received it as a genuine production. "It was
indeed a kind of fashion to be seen reading it in public, as a mark of
nice discernment, of a delicate and fastidious taste in poetry, and the
best criterion of a choice spirit." Such was the genesis of "Posthumous
Fragments of Margaret Nicholson", edited by John Fitz Victor. The name
of the supposititious nephew reminds us of "Original Poems" by Victor
and Cazire, and raises the question whether the poems in that lost
volume may not have partly furnished forth this Oxford travesty.
Public-domain text, read in full here on John Shaqi.
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