For the Man Christ, Jesus of Nazareth, the carpenter's carnate son, the mystical Essene and occultist, Shelley exceeded in love and reverence many of the most earnest Christians, and in no theological writings can there be discovered such beautiful sentiments concerning the "The Regenerator of the World," and the "Meek Reformer," of whom he speaks as contemplating that mysterious principle called God, the fundamental of all good, and the source of all happiness, as every true poet and philosopher must have done. It is impossible to turn to any page of his works, where, in speaking of Christ, he fails in this--he expatiates with as great fervor as Renan, Seeley, or Strauss, on Christ's exposing with earnest eloquence, like all true members of the brotherhood of Illuminati, to which he belonged, the panic fears and hateful superstitions which have enslaved mankind for ages, and extols "His extraordinary genius, the wide and rapid effects of his unexampled doctrines, his invincible gentleness and benignity, (and) the devoted love borne to him by his adherents." For the God Christ, as depicted by the Sacerdotal order, he had the greatest contempt. It was impossible for a mind constituted like his to tamely rest contented with the incredible story forced on mankind's intelligence, that the Supreme Power could or would for any wise purpose be transformed into a dove, and re-enact the mythical part of Jupiter with a Christian Leda, the Jew carpenter's wife, Mary, under the disguise of a bird. Such a story and the theory on which it rests Shelley summarised as follows: "According to this book, God created Satan, who, instigated by the impulses of his nature, contended with the Omnipotent for the throne of Heaven. After a contest for the empire, in which God was victorious, Satan was thrust into a pit of burning sulphur. On man's creation, God placed within his reach a tree whose fruit he forbade him to taste, on pain of death; permitting Satan, at the same time, to employ all his artifice to persuade this innocent and wondering creature to transgress the fatal prohibition. "The first man yielded to this temptation; and to satisfy Divine Justice the whole of his posterity must have been eternally burned in hell, if God had not sent his only Son on earth, to save those few whose salvation had been foreseen and determined before the creation of the world." The hero of this fabulous episode, beneath which a great truth lies hidden, the Christian Ahrimanes or Typhon, the Devil, as painted by Milton, he considered a moral being, far superior to the God depicted by the same author, and who, under the form of the second person of the Christian Trinity, Shelley tells us of coming humbly,