Perkins of Portland: Perkins The GreatButler, Ellis Parker
General
Perkins of Portland: Perkins The Great
Butler, Ellis Parker
Advertising -- Fiction; Humorous stories
You can see by this how different the play could be made from month to
month. Always full of sparkling wit and clean, wholesome humor--as fresh
as Uneeda Biscuit, and as bright as a Loftis-on-credit diamond. Take
the scene where the Princess of Pilliwink sailed away to Zululand as an
example of the variety we were able to introduce. The first month she
sailed away on a cake of Ivory Soap--it floats; the next month she
sailed on an Ostermoor Felt Mattress--it floats; and then for a month
she voyaged on the floating Wool Soap; and she travelled in steam
motor-boats and electric motor-boats; by Cook's tours, and across
the ice by automobile, by kite, and on the handle of a Bissell Carpet
Sweeper, like an up-to-date witch. She used every known mode of
locomotion, from skates to kites.
She was a grand actress. Her name was Bedelia O'Dale; and, whatever she
was doing on the stage, she was charming. Whether she was taking a vapor
bath in a $4.98 cabinet or polishing her front teeth with Sozodont, she
was delightful. She had all the marks of a real lady, and gave tone
to the whole opera. In fact, all the cast was good. Perkins spared no
expense. He got the best artists he could find, regardless of the cost;
and it paid. But we nearly lost them all. You remember when we put the
play on first, in 1897,--the good old days when oatmeal and rolled wheat
were still the only breakfast foods. We had a breakfast scene, where the
whole troup ate oatmeal, and pretended they liked it. That scene went
well enough until we began to get new ads. for it. The troup never
complained, no matter how often he shifted them from oatmeal to rolled
wheat and back again. They always came on the stage happy and smiling,
and stuffed themselves with Pettijohns and Mothers' Oats, and carolled
merrily.
But about the time the twentieth century dawned, the new patent
breakfast foods began to boom; and we got after them hotfoot. First
he got a contract from Grape-nuts, and the cast and chorus had to eat
Grape-nuts and warble how good it was.
Perkins was working up the Pink Pellets then, and he turned the Princess
of Pilliwink job over to me.
Public-domain text, read in full here on John Shaqi.
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