Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
The Persian version is the book which candidates for the position of
interpreter are required to read after the Gūlistān, as the great number
of words and the variety of its style make it the best book in the
language to be studied by one who wishes to make rapid progress in
Persian. In the present century Major Stewart, professor of Persian at
the East India College at Haileyburg, published a translation of the
seventh book of this work, and dedicated it to the civil and military
employés of the East India Company. The repetition of metaphor and
highly florid style of composition is often offensive to the English
reader, but these very characteristics form its greatest attraction in
the eye of Persian _litterateurs_, and many stories are delightful to
them which are wearisome or repulsive to the simpler taste of the
western student. In this fanciful work kings are represented as sitting
on thrones as stable as the firmament, while they touch the stars with
their foreheads, and have all other kings to serve them. Royalty is
always just, wise, valiant and most beneficent—ministers are invariably
gifted with intellects which are an ornament to the world, and they can
solve all problems with a single thought. Mountains rival the planets in
their height, and all gardens are fair as dreams of paradise, while the
heroes conquer animals so furious that even their appearance frightens
the constellations out of the heavens. These absurdities are so
prominent that they tempt the student to turn away in disgust, but those
who patiently peruse the book will discover many beautiful thoughts,
many striking and practical ideas, which are forcibly and often
beautifully expressed.
The preface is similar to that of many other Persian works, being
composed very largely of a eulogy upon Mohammed, and especially upon the
royal dignitary to whom the work is dedicated.
A brief extract from this literary curiosity will give the reader an
example of the fulsome praise which Persian authors thought best to
bestow upon the kings or court officials who encouraged their pursuits.
“And he is the great Amīr, the place where all excellences and high
qualities centre, through the sublimity of his spirit, ... who, without
compliment, is the star Canopus shining from the right hand of Yaman,
and a sun diffusing radiance, from the dawning place of affection and
fidelity.
Where Canopus falls thy ray, and where
Thou risest, fortune’s marks are surely there.
Public-domain text, read in full here on John Shaqi.
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