Persian Literature, Ancient and Modern — John Shaqi
Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
The modern worshippers of Alexander, however, have placed around his
name all the possible glory of military achievement with a vast amount
of rhetoric, concerning “the young hero” and “the thunder of his tread.”
They claim, indeed, that he had very few faults, except cruelty,
drunkenness, and some worse forms of dissipation. Their defense of this
barbarous act is that “only the palace and its environs were burned” at
this particular time, and that this was an act of requital for the
pillage of Athens, and also to impress the Persians with a due sense of
his own importance. Whatever may have been the motive, or physical
condition, of the incendiary, it is highly probable that when the
palace, and its environs were burned, the royal libraries went down in
the flames, and certain it is, that from the time of the Macedonian
conquest to the foundation of the Sassanian dynasty, the history of the
Persian language and literature is almost a blank page. The legends of
the Sassanian coins, the inscriptions of their emperors, and the
translation of the Avesta, by Sassanian scholars, represent another
phase of the language and literature of Īrān.
The men who, at the rising of the new national dynasty, became the
reformers, teachers, and prophets of Persia, formed their language and
the whole train of their ideas upon a Semitic model. The grammar of the
Sassanian dialect, however, was Persian, and “this was a period of
religious and metaphysical delirium, when everything became everything,
when Māyā and Sophia, Mitra and Christ, Virāf and Isaiah, Belus and
Kronos were mixed up in one jumbled system of inane speculation, from
which at last the East was delivered by the doctrines of Mohammed, and
the West by the pure Christianity of the Teutonic nations.”[19]
It was five hundred years after Alexander before Persian literature and
religion were revived, and the books of the Zend-Avesta collected,
either from scattered manuscripts or from oral tradition. The first
collection of traditions, which finally resulted in the Shāh-Nāmah, was
made also during the Sassanian dynasty. Firdusī tells us that there was
a Pahlevan, of the family of the Dihkans,[20] who loved to study the
traditions of antiquity. He therefore summoned from the provinces, all
the old men who could remember portions of the ancient legends, and
questioned them concerning the stories of the country. The Dihkan then
wrote down the traditions of the kings and the changes in the empire as
they had been recited to him. But this work, which was commenced under
Nushirvan and finished under Yezdejird, the last of the Sassanians, was
destroyed by the command of Omar, the Arabian chieftain.
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