Persian Literature, Ancient and ModernReed, Elizabeth A. (Elizabeth Armstrong)
History
Persian Literature, Ancient and Modern
Reed, Elizabeth A. (Elizabeth Armstrong)
Persian literature -- History and criticism
Tammuz, and the outposts were captured while the revelers were
unconscious of the near approach of the foe. But within the walls and at
the scene of festivity, surrounding the king, there was not only the
tramp of armed men, but also the clash of swords and spears, a short but
decisive combat, and Babylon, “the glory of kingdoms,” became the
victor’s prize.[53]
The walls of the Chaldean palace were rich with gorgeous draperies on
that fatal night. The golden cups were filled with costly wines, and
long festoons of flowers were hung from wall and ceiling; there were
beautiful faces, and the flashing of jewels, with music and mirth in the
royal hall, but that festal scene was the back-ground of the death of an
empire. “Babylon the Great” had fallen in the midst of her splendor—had
fallen with her temples and palaces, into the hand of the Persian king.
CYRUS—THE ACHÆMENIAN.
The numerous inscriptions of Cyrus, Darius, Xerxes, and the three
Artaxerxes found at Persepolis, at Mount Elvend, at Susa, and Suez, are
the most important of the historical inscriptions of Persian kings,
except that at Behistun. The Persian texts have been repeatedly and
carefully edited. Following the preparatory labors of Grotofend, Rask,
Beer and Jacquet, the documents have been carefully examined and
explained by MM. Burnouf, Lassen, Sir H. Rawlinson, Benfey, Spiegel and
Dr. Oppert.
The Median versions appeared afterward, coming from the competent hands
of MM. Westergaard, De Saulcy, Holtzmann, Norris and Mardtmann, while
the Assyrian translations have been examined by scholars whose work is
equally careful, therefore, no doubt can be entertained concerning its
general accuracy.
The supposed tomb of Cyrus merely bears in three languages—Persian,
Median and Assyrian—the simple statement that “I am Cyrus, the King, the
Achæmenian.” There is, however, an Assyrian inscription on a Babylonian
brick which was brought over to England by Loftus and translated by Sir
Henry Rawlinson, which declares that “Cyrus, King of Babylon, Priest of
the Pyramid and of the Tower (was) son of Cambyses, the Mighty Prince.”
This apparently simple legend is of great historical importance, as it
proves that Herodotus[54] was right in calling Cyrus’s father Cambyses,
a name which was afterward borne also by the successor of Cyrus. The
inscription also states, in harmony with Herodotus, that the former
Cambyses was not a king, but merely a private individual.
BEHISTUN INSCRIPTIONS.
Not only is the soil of Persia rich in historic lore, but even the
cliffs of her mountains were “graven with an iron pen” where her records
were “laid in the rock forever.” At Behistun, far above the plain, is
found an imperishable record of the reign of Darius Hystaspes.[55]
Public-domain text, read in full here on John Shaqi.
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