A crowd had gathered round the Ka’abah, and I had no wish to stand bareheaded and barefooted in the midday September sun. At the cry of “Open a path for the Haji who would enter the House,” the gazers made way. Two stout Meccans, who stood below the door, raised me in their arms, whilst a third drew me from above into the building. At the entrance I was accosted by several officials, dark-looking Meccans, of whom the blackest and plainest was a youth of the Benu Shaybah family,[FN#9] [p.207] the sangre-azul of Al-Hijaz. He held in his hand the huge silver-gilt padlock of the Ka’abah,[FN#10] and presently taking his seat upon a kind of wooden press in the left corner of the hall, he officially inquired my name, nation, and other particulars. The replies were satisfactory, and the boy Mohammed was authoritatively ordered to conduct me round the building, and to recite the prayers. I will not deny that, looking at the windowless walls, the officials at the door, and the crowd of excited fanatics below— “And the place death, considering who I was,”[FN#11] my feelings were of the trapped-rat description, acknowledged by the immortal nephew of his uncle Perez. This did not, however, prevent my carefully observing the scene during our long prayers, and making a rough plan with a pencil upon my white Ihram. Nothing is more simple than the interior of this celebrated building. The pavement, which is level with the ground, is composed of slabs of fine and various coloured marbles, mostly, however, white, disposed chequerwise. The walls, as far as they can be seen, are of the same material, but the pieces are irregularly shaped, and many of them are engraved with long inscriptions in the Suls and other modern characters. The upper part of the walls, together with the ceiling, at which it is considered disrespectful to look,[FN#12] are covered with handsome [p.208] red damask, flowered over with gold,[FN#13] and tucked up about six feet high, so as to be removed from pilgrims’ hands. The flat roof is upheld by three cross-beams, whose shapes appear under the arras; they rest upon the eastern and western walls, and are supported in the centre by three columns[FN#14] about twenty inches in diameter, covered with carved and ornamented aloes wood.[FN#15] At the Iraki corner there is a dwarf door, called Bab al-Taubah (of Repentance).[FN#16] It leads into a narrow passage and to the staircase by which the servants ascend to the roof: it is never opened except for working purposes. The “Aswad” or [p.209] “As’ad[FN#17]” corner is occupied by a flat-topped and quadrant-shaped press or safe,[FN#18] in which at times is placed the key of the Ka’abah.[FN#19] Both door and safe are of aloes wood. Between the columns, and about nine feet from the ground, ran bars of a metal which I could not distinguish, and hanging to them were many lamps, said to be of gold.