Personal Poems II: Part 2 from Volume IV of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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Personal Poems II: Part 2 from Volume IV of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
Does he not know our feet are treading
The earth hard down on Slavery's grave?
That, in our crowning exultations,
We miss the charm his presence gave?
Why on this spring air comes no whisper
From him to tell us all is well?
Why to our flower-time comes no token
Of lily and of asphodel?
I feel the unutterable longing,
Thy hunger of the heart is mine;
I reach and grope for hands in darkness,
My ear grows sharp for voice or sign.
Still on the lips of all we question
The finger of God's silence lies;
Will the lost hands in ours be folded?
Will the shut eyelids ever rise?
O friend! no proof beyond this yearning,
This outreach of our hearts, we need;
God will not mock the hope He giveth,
No love He prompts shall vainly plead.
Then let us stretch our hands in darkness,
And call our loved ones o'er and o'er;
Some day their arms shall close about us,
And the old voices speak once more.
No dreary splendors wait our coming
Where rapt ghost sits from ghost apart;
Homeward we go to Heaven's thanksgiving,
The harvest-gathering of the heart.
1870.
THE SINGER.
This poem was written on the death of Alice Cary. Her sister
Phoebe, heart-broken by her loss, followed soon after. Noble and
richly gifted, lovely in person and character, they left behind
them only friends and admirers.
Years since (but names to me before),
Two sisters sought at eve my door;
Two song-birds wandering from their nest,
A gray old farm-house in the West.
How fresh of life the younger one,
Half smiles, half tears, like rain in sun!
Her gravest mood could scarce displace
The dimples of her nut-brown face.
Wit sparkled on her lips not less
For quick and tremulous tenderness;
And, following close her merriest glance,
Dreamed through her eyes the heart's romance.
Timid and still, the elder had
Even then a smile too sweetly sad;
The crown of pain that all must wear
Too early pressed her midnight hair.
Yet ere the summer eve grew long,
Her modest lips were sweet with song;
A memory haunted all her words
Of clover-fields and singing birds.
Her dark, dilating eyes expressed
The broad horizons of the west;
Her speech dropped prairie flowers; the gold
Of harvest wheat about her rolled.
Fore-doomed to song she seemed to me
I queried not with destiny
I knew the trial and the need,
Yet, all the more, I said, God speed?
What could I other than I did?
Could I a singing-bird forbid?
Deny the wind-stirred leaf? Rebuke
The music of the forest brook?
She went with morning from my door,
But left me richer than before;
Thenceforth I knew her voice of cheer,
The welcome of her partial ear.
Years passed: through all the land her name
A pleasant household word became
All felt behind the singer stood
A sweet and gracious womanhood.
Her life was earnest work, not play;
Her tired feet climbed a weary way;
And even through her lightest strain
We heard an undertone of pain.
Public-domain text, read in full here on John Shaqi.
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