Personal Poems II: Part 2 from Volume IV of The Works of John Greenleaf WhittierWhittier, John Greenleaf
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Personal Poems II: Part 2 from Volume IV of The Works of John Greenleaf Whittier
Whittier, John Greenleaf
American poetry -- 19th century
In the long years of thy absence
Some of us have grown old,
And some have passed the portals
Of the Mystery untold;
For the hands that cannot clasp thee,
For the voices that are dumb,
For each and all I bid thee
A grateful welcome home!
For Cedarcroft's sweet singer
To the nine-fold Muses dear;
For the Seer the winding Concord
Paused by his door to hear;
For him, our guide and Nestor,
Who the march of song began,
The white locks of his ninety years
Bared to thy winds, Cape Ann!
For him who, to the music
Her pines and hemlocks played,
Set the old and tender story
Of the lorn Acadian maid;
For him, whose voice for freedom
Swayed friend and foe at will,
Hushed is the tongue of silver,
The golden lips are still!
For her whose life of duty
At scoff and menace smiled,
Brave as the wife of Roland,
Yet gentle as a Child.
And for him the three-hilled city
Shall hold in memory long,
Those name is the hint and token
Of the pleasant Fields of Song!
For the old friends unforgotten,
For the young thou hast not known,
I speak their heart-warm greeting;
Come back and take thy own!
From England's royal farewells,
And honors fitly paid,
Come back, dear Russell Lowell,
To Elmwood's waiting shade!
Come home with all the garlands
That crown of right thy head.
I speak for comrades living,
I speak for comrades dead!
AMESBURY, 6th mo., 1885.
AN ARTIST OF THE BEAUTIFUL.
GEORGE FULLER
Haunted of Beauty, like the marvellous youth
Who sang Saint Agnes' Eve! How passing fair
Her shapes took color in thy homestead air!
How on thy canvas even her dreams were truth!
Magician! who from commonest elements
Called up divine ideals, clothed upon
By mystic lights soft blending into one
Womanly grace and child-like innocence.
Teacher I thy lesson was not given in vain.
Beauty is goodness; ugliness is sin;
Art's place is sacred: nothing foul therein
May crawl or tread with bestial feet profane.
If rightly choosing is the painter's test,
Thy choice, O master, ever was the best.
1885.
MULFORD.
Author of The Nation and The Republic of God.
Unnoted as the setting of a star
He passed; and sect and party scarcely knew
When from their midst a sage and seer withdrew
To fitter audience, where the great dead are
In God's republic of the heart and mind,
Leaving no purer, nobler soul behind.
1886.
TO A CAPE ANN SCHOONER
Luck to the craft that bears this name of mine,
Good fortune follow with her golden spoon
The glazed hat and tarry pantaloon;
And wheresoe'er her keel shall cut the brine,
Cod, hake and haddock quarrel for her line.
Shipped with her crew, whatever wind may blow,
Or tides delay, my wish with her shall go,
Fishing by proxy. Would that it might show
At need her course, in lack of sun and star,
Where icebergs threaten, and the sharp reefs are;
Lift the blind fog on Anticosti's lee
And Avalon's rock; make populous the sea
Round Grand Manan with eager finny swarms,
Break the long calms, and charm away the storms.
OAK KNOLL, 23 3rd mo., 1886.
Public-domain text, read in full here on John Shaqi.
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