* * * * * The prejudice against the theatre had been very great in Scotland, and still existed among the rigid Calvinists. One day, when I was fourteen or fifteen, on going into the drawing-room, an old man sitting beside my mother rose and kissed me, saying, "I am one of your mother's oldest friends." It was Home, the author of the tragedy of "Douglas." He was obliged to resign his living in the kirk for the scandal of having had his play acted in the theatre in Edinburgh, and some of his clerical friends were publicly rebuked for going to see it. Our family was perfectly liberal in all these matters. The first time I had ever been in a theatre I went with my father to see "Cymbeline." I had never neglected Shakespeare, and when our great tragedians, Mrs. Siddons and her brother, John Kemble, came for a short time to act in Edinburgh, I could think of nothing else. They were both remarkably handsome, and, notwithstanding the Scotch prejudice, the theatre was crowded every night. It was a misfortune to me that my mother never would go into society during the absence of my father, nor, indeed, at any time, except, perhaps, to a dinner party; but I had no difficulty in finding a chaperone, as we knew many people. I used to go to the theatre in the morning, and ask to see the plan of the house for the evening, that I might know which ladies I could accompany to their boxes. Of course I paid for my place. Our friends were so kind that I saw these great artists, as well as Charles Kemble, Young, and Bannister, in "Hamlet," "Macbeth," "Othello," "Coriolanus," "The Gamester," &c. It was greatly to the honour of the British stage that all the principal actors, men and women, were of excellent moral character, and much esteemed. Many years afterwards, when Mrs. Siddons was an old woman, I drank tea with her, and heard her read Milton and Shakespeare. Her daughter told us to applaud, for she had been so much accustomed to it in the theatre that she could not read with spirit without this expression of approbation.