Personal reminiscences of Henry IrvingStoker, Bram
General
Personal reminiscences of Henry Irving
Stoker, Bram
Actors -- Great Britain -- Biography; Irving, Henry, Sir, 1838-1905
We think in abstractions, but we live in concretions. In real life an
individual who is not in any way distinguishable from his fellows is but
a poor creature after all and is not held of much account by anybody.
That law of nature which makes the leaves of a tree or the units of any
genus, any species, any variety all different—which in the animal or the
vegetable world alike makes each unit or class distinguishable whilst
adhering to the type—is of paramount importance to man. Tennyson has
hammered all this out and to a wonderful conclusion in those splendid
stanzas of _In Memoriam_ LIV to LVI beginning “Oh yet we trust that
somehow good” to “Behind the veil, behind the veil.” Let it be
sufficient for us to know and accept that there can be endless
individual idiosyncrasies without violation of type. To understand these
is the study of character. The _differentia_ of each individual is an
endless and absorbing study, not given to all to master. Some at least
of this mastery is a necessary part of the equipment of an actor. Now
there is a common saying that “the eyebrow is the actor’s feature.” This
is largely true; but there is a double purpose in its truth. In the
first place the eyebrow is movable at will; a certain amount of exercise
can give mobility and control. It can therefore heighten expression to a
very marked degree. But in addition it, when in a marked degree, is the
accompaniment of large frontal sinuses—those bony ridges above the
eyebrows which in the terminology of physiognomy imply the power to
distinguish minute differences, and so are credited with knowledge of
“character”—the difference between one and another; divergences within a
common type. With this natural equipment and the study which inevitably
follows—for powers are not given to men in vain—the actor can by
experience know types, and endless variants and combinations of the
same. So can any man who has the quality. But the actor alone has to
work out the ideas given to him by this study in recognisable material
types and differentiated individual instances of the same type.
_x_
Public-domain text, read in full here on John Shaqi.
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