Personality in LiteratureScott-James, R. A. (Rolfe Arnold)
Philosophy
Personality in Literature
Scott-James, R. A. (Rolfe Arnold)
English literature -- 20th century -- History and criticism; Literature
It would not be far wrong to describe Mr. Chesterton's philosophy as a
sort of sublimated public opinion _minus_ the opinion of the
intellectuals. To get at what I mean I must for the moment ask the
reader to think of Mr. Chesterton as an abstraction. Let him conceive
an Englishman, unlike any existing Englishman, who has never heard of
Darwin or Spencer; who has never been impregnated with the theory of
induction or analytical psychology; an Englishman who has never read
or heard of Macaulay, Froude, Carlyle, Ruskin, Bagehot, Mill, Seeley,
or Mr. Frederic Harrison; who has read none of the poets since Milton;
who has never been asked to consider the Reform Bill or the Education
Bill, the Oxford Movement or the Æsthetic Movement, Realism or
Impressionism, Non-Resistance or the Will to Power, Mr. Bernard Shaw
or Mr. Aylmer Maude, the Primrose League or the Labour Party, Mr.
Yeats or even Mr. O'Finnigan. Let us imagine that this agreeable
abstraction is in the habit of moving about among other abstractions
like himself; that he knows a horse when he sees it (even if he cannot
ride it); that he is accustomed to hospitable inn-parlours where you
may discuss any philosophy so long as it is not a system; that he has
a chivalrous admiration for women; that he likes sunshine and adores
the moon; that he believes in God, the respectability of wives, ballad
poetry, good fellowship, and good wine.
And now, having stripped Mr. Chesterton so that he is no longer even
an attenuated ghost of himself, let us re-clothe him and present him
decent and as he is. We must imagine this abstracted personage,
ignorant and therefore unbiassed, suddenly introduced to all the
learned jargon of the day. He still retains his simple views about
things out of date, and is called upon to pronounce views upon
entirely new matters--aristocracy and democracy, religion and
scepticism, art and morality, Tolstoy and Nietzsche. A welter of odd
ideas and delirious fanaticisms is suddenly sprung upon his simple
consciousness. He finds all the intellectual circles in England
working themselves into a fury about ideas, factitious ideas, which
positively did not exist for him when he was a happy abstraction.
Naturally, in his brief visit to the unabstracted world he has not
time to study in detail all the philosophies which have been invented
for the purpose of debate. But he goes round from circle to circle,
listens to this argument and to that, notices the effect which the
various philosophies have upon the characters of their exponents, and
himself enters into the fun of debate as if he had never been an
abstraction at all. He accepts the terminology which he finds ready
made, but of course uses it in his own way--he is obviously unable to
take anything for granted like the people who have always been
intellectuals. He continually comes across queer verbal usages, and
feels bound to declare that what we call free-thinking is not what we
Public-domain text, read in full here on John Shaqi.
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