Personality in LiteratureScott-James, R. A. (Rolfe Arnold)
Philosophy
Personality in Literature
Scott-James, R. A. (Rolfe Arnold)
English literature -- 20th century -- History and criticism; Literature
_Tom Jones_ was and is a popular book. But I hope I am not wronging
the larger mass of mankind when I say that those (of the majority) who
like Fielding do not like him for his unique excellences; they would
be equally pleased if puppets instead of vital persons had passed
along the same course of exciting events; and that there are others
who would not read him even if he began writing to-day, because his
picture of life is too consistent with his imagination, and this very
tenacity would perturb and irritate the trivial. Nevertheless he would
have many readers among a large minority, just as Mr. Arnold Bennett
has to-day--readers who can appreciate a story which is direct, vivid,
and mainly external in treatment.
But the largest public is for writers like Mr. Cutcliffe Hyne or Mr.
William Le Queux. These more nearly represent the popular ideal in a
"novel of incident." For the former I have some respect. He shows
ingenuity in his concoction of improbable plots. In _Captain Kettle_
there is at least some attention to character--of a freakish kind--and
something of atmosphere which gives it a mock-romantic interest. It
holds the multitude by reason of the thrilling sensations extracted
from incidents wholly unlike anything possible in their lives, but
near enough to reported facts to be able to astonish and excite them.
Such improbable but ingeniously contrived events are enough to
distract them, and if there be more in Mr. Hyne's stories imparted by
his personal eagerness and honesty, it escapes them, or at least does
not annoy them.
But this finer quality has been lacking in such of Mr. Le Queux's
books as I have chanced to read. I may have been unlucky in my
selection, and there may be admirable qualities in those of his novels
which I have not read. But in the three or four volumes known to me I
found that the persons were puppets, moving in unnatural situations,
meeting sensational adventures which constituted all that there was of
an improbable and slenderly connected plot. We all know the sort of
book. But what is it that makes this, and others like it, popular?
There were scenes of spurious passion. There were incidents in which
action assumed the proportions of prodigy. There was vague sensation.
In one of his novels I found an introduction by Lord Roberts warning
Englishmen to prepare for the German invasion planned by Mr. Le Queux
for 1910! History has not yet revealed the horror and devastation of
that war; but this horror and devastation lent to Mr. Le Queux's book
the interest which it required.
Public-domain text, read in full here on John Shaqi.
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