In Lima the voice of the bells is lifted to avert catastrophes and
to beg for mercy in times of earthquake. When the bells cease, the
importance of silence is assumed instantly, as with the dropping of the
wind.
* * * * *
A little jungle of cypress, magnolia, jasmine, pomegranate, and fig
clusters about a fountain which one hears rather than sees. Contralto
bird-notes seem to come from far away, like “the melodious songs of
birds with yellow combs in the blessed land of Aztlan.”
The garden is overgrown with passion-flowers, concealing within
their petals the sacred heart and nails, even the crown of thorns.
Night-blooming cereus hangs darkly above the ground-glass bells of
the floriponda, so ineffably sweet after sundown. Its leaves are
narcotic. (In Lima one is often given a nosegay of jasmine done up in a
floriponda flower.)
I sat waiting on a bench in the cloister garden. Missionary priests
were showing maps to little, fluted nuns. Others in black robes and
furry hats paced up and down the cloister, fondling small missals
and stopping around the corner to gaze at me through the wrought-iron
grill. Mediaeval life in full swing, complete from a glance of the eye
to the jaunty stick cocked under the Don Juan cloak!
One of the priests carried two phosphorescent beetles in a piece of
sugar-cane.
In this convent young girls are taught that a “wife should be loving
and faithful, tolerating the defects of her husband, trying to make
herself esteemed by him, to soften for him the sorrows of life,
cultivating abnegation, evenness of disposition, tolerance, and
sweetness. She ought never to think that the faults of her husband
could excuse her own.”
Very different was the Dominican convent of Santa Rosa.
An illuminated manuscript hung at the portal, an absolution for those
who worship here, sent by the Pope several hundred years ago. The
recess in the wall was paved with cobblestones. Antique paintings of
saints hung frameless above. Beside the huge doorway, heavily barred,
was a turnstile in the wall, with solid partitions between the shelves
to prevent a glimpse within. The staring word _Paciencia_ was written
above it. Utter silence!
Rosa Mercédes and I tiptoed through a narrow doorway, under the word
_Modestia_. We sat on a bench in front of a wooden grill with hexagonal
openings. A vague, distinctive smell drifted through it. On the other
end of the bench a woman was softly sobbing. We waited half an hour or
more.
The week before, the birthday of Santa Rosa had been celebrated in the
cloister where she lived. The week after was now being celebrated here,
where she died. As I listened, there was an explosion of fire-crackers
within.
Public-domain text, read in full here on John Shaqi.
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