Petals Plucked from Sunny ClimesBrooks, A. M. (Abbie M.)
History
Petals Plucked from Sunny Climes
Brooks, A. M. (Abbie M.)
Cuba -- Description and travel; Florida -- Description and travel; Florida -- History
Civilization has commenced making its mark on the Ocklawaha, and the
march of improvement, which never tires in its efforts, is leaving its
foot-prints here. These new developments are visible from the various
landings which the steamer makes, as it advances through the rapid
current. In order to effect a landing, the bow of the craft is run
against the shore, when the command is given by the Captain, with as
much authority as though a ship from England had arrived on foreign
shores, "Make fast!" This order is executed by putting a hawser an inch
in circumference around a stake driven in the ground. Here are two cords
of wood waiting to be loaded, called in cracker vernacular "light-wood,"
filled with turpentine, from which the article of commerce is
manufactured. The vender of this commodity is on shore, waiting for an
opportunity to dispose of his pile when "the charcoal sketches" commence
"wooding-up."
Nearly all the passengers improve the time by taking a walk on shore to
see the country while the hands on board are working. A countryman is
trying to sell a bear-skin to some of the crowd. These Floridians always
ask more than they can get, to see what visitors will stand.
The sun has set, and we are now entering upon a night of darkness, in a
wilderness of leaves and blooms, on the water, near thickets where the
hungry wolf lurks for his prey, and the bear growls from his covert of
security; where the wild deer nips the grass and feasts from herbage
green, frequenting haunts where the hounds lose their trail, and the
foot of the civilized hunter has never trod. A bright blaze, made from
light-wood knots, is placed in a frame on the bow of our craft, and,
like the "pillar of fire" which preceded the Israelites through the
wilderness, is our guide. Here, encircled by trees whose long limbs
overlap each other so thickly that only a glimmer of dawn is seen
through the small openings, our flame-lit craft winds up the serpentine
stream, and our night-fires send out a glare which illumines the
darkness far as the eye can see, while on the boughs above our heads in
silence sits the owl, with only an occasional "Who!" to let us know
vitality is not entirely extinct in these wilds.
[Illustration: WHO!]
The queer, dusky-looking figures, moving about with their pine torches,
flashing through the darkness, and yelling at each other in cases of
emergency, when our boat appears trying to climb a tree, remind us of
the historic plutonian regions. As we glide along, our pathway is marked
by volumes of pyrotechnic showers more numerous and brilliant than can
be conceived, which burst from the smoke-stacks, and fall on the water
before they are extinguished. Phantom-like we move, while weird forms
retire before us, but still clinging to our boat as the connecting-link
between civilized and savage life, a thoughtless move from it in any
direction being a dangerous and hazardous experiment.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account