Peter: A Novel of Which He is Not the HeroSmith, Francis Hopkinson
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Peter: A Novel of Which He is Not the Hero
Smith, Francis Hopkinson
Bank tellers -- Fiction; New York (N.Y.) -- Fiction; Wall Street (New York, N.Y.) -- Fiction
Produced by Robert Rowe, Charles Franks and the Online
Distributed Proofreading Team
PETER
A Novel of Which He is Not the Hero
By F. Hopkinson Smith
CHAPTER I
Peter was still poring over his ledger one dark afternoon in December,
his bald head glistening like a huge ostrich egg under the flare of the
overhead gas jets, when Patrick, the night watchman, catching sight of
my face peering through the outer grating, opened the door of the Bank.
The sight so late in the day was an unusual one, for in all the years
that I have called at the Bank--ten, now--no, eleven since we first knew
each other--Peter had seldom failed to be ready for our walk uptown when
the old moon-faced clock high up on the wall above the stove pointed at
four.
“I thought there was something up!” I cried. “What is it, Peter--balance
wrong?”
He did not answer, only waved his hand in reply, his bushy gray eyebrows
moving slowly, like two shutters that opened and closed, as he scanned
the lines of figures up and down, his long pen gripped tight between his
thin, straight lips, as a dog carries a bone.
I never interrupt him when his brain is nosing about like this; it is
better to keep still and let him ferret it out. So I sat down outside
the curved rail with its wooden slats backed by faded green curtains,
close to the big stove screened off at the end of the long room, fixed
one eye on the moon-face and the other on the ostrich egg, and waited.
There are no such banks at the present time--were no others then, and
this story begins not so very many years ago--A queer, out-of-date,
mouldy old barn of a bank, you would say, this Exeter--for an
institution wielding its influence. Not a coat of paint for half a
century; not a brushful of whitewash for goodness knows how much longer.
As for the floor, it still showed the gullies and grooves, with here
and there a sturdy knot sticking up like a nut on a boiler, marking the
track of countless impatient depositors and countless anxious borrowers,
it may be, who had lock-stepped one behind the other for fifty years
or more, in their journey from the outer door to the windows where the
Peters of the old days, and the Peter of the present, presided over the
funds entrusted to their care.
Public-domain text, read in full here on John Shaqi.
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