Peter: A Novel of Which He is Not the HeroSmith, Francis Hopkinson
General
Peter: A Novel of Which He is Not the Hero
Smith, Francis Hopkinson
Bank tellers -- Fiction; New York (N.Y.) -- Fiction; Wall Street (New York, N.Y.) -- Fiction
As the evening wore away the charm of the room grew upon me. Vistas hazy
with tobacco smoke opened up; the ceiling lost in the fog gave one the
impression of out-of-doors--like a roof-garden at night; a delusion made
all the more real by the happy uproar. And then the touches here and
there by men whose life had been the study of color and effects; the
appointments of the table, the massing of flowers relieving the white
cloth; the placing of shaded candles, so that only a rosy glow filtered
through the room, softening the light on the happy faces--each scalp
crowned with chaplets of laurel tied with red ribbons: an enchantment
of color, form and light where but an hour before only the practical and
the commonplace had held sway.
No vestige of the business side of the offices remained. Peter pointed
out to me a big plaster model of the State House, which filled one end
of the room, and two great figures, original plaster casts, heroic in
size, that Harding, the sculptor, had modelled for either side of the
entrance of the building; but everything that smacked of T-square or
scale was hidden from sight. In their place, lining the walls, stood a
row of standards of red and orange silk, stretched on rods and supported
by poles; the same patterns of banners which were carried before
Imperial Caesars when they took an airing; and now emblazoned with the
titles of the several structures conceived in the brain of Holker Morris
and executed by his staff: the Imperial Library in Tokio; the great
Corn Exchange covering a city block; the superb Art Museum crowning
the highest hill in the Park; the beautiful chateau of the millionaire
surrounded by thousands of acres of virgin forest; the spacious
warehouses on the water front, and many others.
With the passing of the flagons an electric current of good fellowship
flashed around the circle. Stories that would have been received with
but a bare smile at the club were here greeted with shouts of laughter.
Bon-mots, skits, puns and squibs mouldy with age or threadbare with use,
were told with a new gusto and welcomed with delight.
Suddenly, and without any apparent reason, these burst forth a roar
like that of a great orchestra with every instrument played at its
loudest--rounds of applause from kettle-drums, trombones and big horns;
screams of laughter from piccolos, clarionettes and flutes, buzzings of
subdued talk by groups of bass viols and the lesser strings, the whole
broken by the ringing notes of a song that soared for an instant clear
of the din, only to be overtaken and drowned in the mighty shout of
approval. This was followed by a stampede from the table; the banners
were caught up with a mighty shout and carried around the room; Morris,
boy for the moment, springing to his feet and joining in the uproar.
Public-domain text, read in full here on John Shaqi.
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