Peter: A Novel of Which He is Not the HeroSmith, Francis Hopkinson
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Peter: A Novel of Which He is Not the Hero
Smith, Francis Hopkinson
Bank tellers -- Fiction; New York (N.Y.) -- Fiction; Wall Street (New York, N.Y.) -- Fiction
Even Miss Felicia recognized this unbreakable engagement and made her
plans accordingly. So did good Mrs. McGuffey, who selected this night
for her own social outings; and so did most of his intimate friends who
were familiar with his habits.
On any other night you might, or you might not, find Peter at home,
dependent upon his various engagements, but if you really wanted to
get hold of his hand, or his ear, or the whole or any other part of
his delightful body, and if by any mischance you happened to select a
Saturday night for your purpose, you must search for him at the Century.
To spend this one evening at his favorite club had been his custom for
years--ever since he had been elected to full membership--a date so far
back in the dim past that the oldest habitue had to search the records
to make sure of the year, and this custom he still regularly kept up.
That the quaint old club-house was but a stone's throw from his own
quarters in Fifteenth Street made no difference; he would willingly have
tramped to Murray Hill and beyond--even as far as the big reservoir, had
the younger and more progressive element among the members picked the
institution up bodily and moved it that far--as later on they did.
Not that he favored any such innovation: “Move up-town! Why, my dear
sir!” he protested, when the subject was first mentioned, “is there
nothing in the polish of these old tables and chairs, rubbed bright by
the elbows of countless good fellows, that appeals to you? Do you think
any modern varnish can replace it? Here I have sat for thirty years or
more, and--please God!--here I want to continue to sit.”
He was at his own small table in the front room overlooking the street
when he spoke--his by right of long use, as it was also of Morris,
MacFarlane, Wright, old Partridge the painter, and Knight the sculptor.
For years this group of Centurions, after circling the rooms on meeting
nights, criticising the pictures and helping themselves to the punch,
had dropped into these same seats by the side of Peter.
And these were not the only chairs tacitly recognized as carrying
special privileges by reason of long usage. Over in the corner between
the two rooms could be found Bayard Taylor's chair--his for years,
from which he dispensed wisdom, adventure and raillery to a listening
coterie--King, MacDonough and Collins among them, while near the stairs,
his great shaggy head glistening in the overhead light, Parke Godwin
held court, with Sterling, Martin and Porter, to say nothing of still
older habitues who in the years of their membership were as much a part
of the fittings of the club as the smoke-begrimed portraits which lined
its walls.
On this Saturday night he had stepped into the clubhouse with more
than his usual briskness. Sweeping a comprehensive glance around as
he entered, as if looking for some one in the hall, he slipped off his
overcoat and hat and handed both to the negro servant in charge of the
cloak-room.
“George.”
Public-domain text, read in full here on John Shaqi.
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