Peter: A Novel of Which He is Not the HeroSmith, Francis Hopkinson
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Peter: A Novel of Which He is Not the Hero
Smith, Francis Hopkinson
Bank tellers -- Fiction; New York (N.Y.) -- Fiction; Wall Street (New York, N.Y.) -- Fiction
“Yes, Mr. Grayson.”
“If anybody inquires for me you will find me either on this floor or in
the library above. Don't forget, and don't make any mistake.
“No, suh--ain't goin' to be no mistake.”
This done, the old gentleman moved to the mirror, and gave a sidelong
glance at his perfectly appointed person--he had been dining at the
Portmans', had left the table early, and was in full evening dress.
The inspection proved that the points of his collar wanted straightening
the thousandth part of an inch, and that his sparse gray locks needed
combing a wee bit further toward his cheek bones. These, with a certain
rebellious fold in his necktie, having been brought into place, the
guardian of the Exeter entered the crowded room, picked a magazine from
the shelves and dropped into his accustomed seat.
Holker Morris and Lagarge now strolled in and drawing up to a small
table adjoining Peter's touched a tiny bell. This answered, and the
order given, the two renewed a conversation which had evidently been
begun outside, and which was of so absorbing a character that for a
moment Peter's face, half hidden by his book, was unnoticed.
“Oh!--that's you, Methusaleh, is it!” cried Morris at last. “Move
over--have something?”
Peter looked up smiling: “Not now, Holker. I will later.”
Morris kept on talking. Lagarge, his companion--a thin,
cadaverous-looking man with a big head and the general air of having
been carved out of an old root--a great expert in ceramics--listening
intently, bobbing his head in toy-mandarin fashion whenever one of
Holker's iconoclasms cleared the air.
“Suppose they did pay thirty thousand dollars for it,” Holker insisted,
slapping his knee with his outspread palm. “That makes the picture no
better and no worse. If it was mine, and I could afford it, I would sell
it to anybody who loved it for thirty cents rather than sell it to a man
who didn't, for thirty millions. When Troyon painted it he put his soul
into it, and you can no more tack a price to that than you can stick
an auction card on a summer cloud, or appraise the perfume from a rose
garden. It has no money value, Legarge, and never will have. You might
as well list sunsets on the Stock Exchange.”
“But Troyon had to live, Holker,” chimed in Harrington, who, with
the freedom accorded every member of the club--one of its greatest
charms--had just joined the group and sat listening.
“Yes,” rejoined Morris, a quizzical expression crossing his face--“that
was the curse of it. He was born a man and had a stomach instead of
being born a god without one. As to living--he didn't really live--no
great painter really lives until he is dead. And that's the way it
should be--they would never have become immortal with a box full of
bonds among their assets. They would have stopped work. Now they can
rest in their graves with the consciousness that they have done their
level best.”
Public-domain text, read in full here on John Shaqi.
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