Abelard, Peter, 1079-1142; Theologians -- France -- Biography; Theology -- History -- Middle Ages, 600-1500
Yet she would ask this measure of gratitude from him, that he write
to her at times. He had never known refusal from her. ‘It was not
religious fervour that drew me to the rigour of the conventual life,
but thy command. How fruitlessly have I obeyed, if this gives me no
title to thy gratitude!... When thou didst hasten to dedicate thyself
to God I followed thee—nay, I went before thee. For, as if mindful of
the looking back of Lot’s wife, thou didst devote me to God before
thyself, by the sacred habit and vows of the monastery. Indeed it was
in this sole circumstance that I had the sorrow and the shame of
noting thy lack of confidence in me. God knows that I should not have
hesitated a moment to go before or to follow thee to the very gates
of hell, hadst thou commanded it. My soul was not my own but thine.’
Let him, therefore, make this small return of a letter to relieve
her anxiety. ‘In earlier days, when thou didst seek worldly pleasure
with me, thy letters were frequent enough; thy songs put the name of
Heloise on every lip. Every street, every house in the city, echoed
with my name. How juster would it be to lead me now to God than thou
then didst to pleasure! Think then, I beseech thee, how much thou
owest me. With this brief conclusion I terminate my long letter.
Farewell, beloved.’
It is small wonder that the epistle placed Abélard in some
perplexity. True, the devoted Heloise had spoken throughout in the
past tense. But the ardour and the violence of her phrases betrayed
a present depth of emotion which he must regard with some dismay.
He had trusted that time and discipline would subdue the flame he
had enkindled, and here it was indirectly revealed to live still in
wondrous strength. He could not refuse to write, nor indeed would
such a neglect profit anything; but he would send her a long letter
of spiritual direction, and endeavour to divert her meditations.
Public-domain text, read in full here on John Shaqi.
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