'I 'm going to revise the marriage service when I 'm in power,' said the gentle, lagging voice from under the heavy canopy of old-fashioned chintz with which Miss Abingdon, who disapproved of draughts, hung all the beds in her house. 'You see, it's like this,' he went on; 'girls, when they are about eighteen or twenty, would generally like to improve on their parents a bit, and to have meals at different hours to those which they have grown tired of in their own homes; also, they have an idea that if they haven't a romance some time or other they will be rather out of it, don't you know, so they say "yes" to some fellow who proposes to them--you have done it yourself hundreds of times, I dare say, Miss Abingdon--but if you haven't the luck to get out of it, you are jolly well tied for the term of your natural life.' 'There are some very sad cases, of course,' said Miss Abingdon, drawing down her upper lip. 'And it's so often the good ones,' said Toffy, from the depths of his profound experience of life, 'who have the hardest lines. And that makes it all the more unfair, doesn't it?' Afterwards, when Miss Abingdon used to hear a great deal about Sir Nigel and Mrs. Avory, and when many regrettable things were said concerning two people to whom, at the best of times, life was a little bit difficult, she would seem to see the young man, with his delicate face and his head bound up with white linen, lying on the frilled pillow of the great canopied bed, and the recollection would come back to her of the tones in which he had said, 'It's so often the good ones that have the hardest lines,' and Miss Abingdon never failed in loyalty to Toffy, and believed in him to the very end. She rose now and bade him good-bye, and then she glanced at the open Bible on the counterpane and decided once more that young people were inexplicable, and she clung to her key-basket with a feeling of security, and, holding it carefully in her hand, went downstairs again. CHAPTER IV Jane, meanwhile, had walked over to Bowshott to see Mrs. Ogilvie and to tell her the news of Toffy's motor-car accident, and to explain why Peter was delayed. She came into the drawing-room, with its long mirrors in their gilded frames, its satin couches and heaped-up flowering plants, and huge windows looking on to the scrupulous gardens and park. She walked in the shortest dress that a merciful fashion allows, a loose shirt hung boy-like on her slender figure, and a motor-cap, with the brim well pulled down over her eyes, covered her head. She shook hands and regretted inwardly that Mrs. Ogilvie did not like being kissed, although disclaiming even to herself that her distaste in this respect had anything to do with rouge and powder. She sat down on a low chair by the window with the fearlessness of one whose complexion is not a matter of anxiety, and she told Mrs. Ogilvie the story of the disaster.