In the genial French fashion of those times we soon got on terms of
intimacy with these and other neighbors, and saw much of each other at
all times of the day.
My tall and beautiful young mother (la belle Madame Pasquier, as she was
gallantly called) was an Englishwoman who had been born and partly
brought up in Paris.
My gay and jovial father (le beau Pasquier, for he was also tall and
comely to the eye) was a Frenchman, although an English subject, who had
been born and partly brought up in London; for he was the child of
emigres from France during the Reign of Terror.
[Illustration]
"When in death I shall calm recline,
Oh take my heart to my mistress dear!
Tell her it lived upon smiles and wine
Of the brightest hue while it lingered here!"
He was gifted with a magnificent, a phenomenal voice--a barytone and
tenor rolled into one; a marvel of richness, sweetness, flexibility, and
power--and had intended to sing at the opera; indeed, he had studied for
three years at the Paris Conservatoire to that end; and there he had
carried all before him, and given rise to the highest hopes. But his
family, who were Catholics of the blackest and Legitimists of the
whitest dye--and as poor as church rats had objected to such a godless
and derogatory career; so the world lost a great singer, and the great
singer a mine of wealth and fame.
However, he had just enough to live upon, and had married a wife (a
heretic!) who had just about as much, or as little; and he spent his
time, and both his money and hers, in scientific inventions--to little
purpose, for well as he had learned how to sing, he had not been to any
conservatoire where they teach one how to invent.
So that, as he waited "for his ship to come home," he sang only to amuse
his wife, as they say the nightingale does; and to ease himself of
superfluous energy, and to charm the servants, and le Pere et la Mere
Francois, and the five followers of Napoleon, and all and everybody who
cared to listen, and last and least (and most!), myself.
For this great neglected gift of his, on which he set so little store,
was already to me the most beautiful and mysterious thing in the world;
and next to this, my mother's sweet playing on the harp and piano, for
she was an admirable musician.
It was her custom to play at night, leaving the door of my bedroom ajar,
and also the drawing-room door, so that I could hear her till I fell
asleep.
Sometimes, when my father was at home, the spirit would move him to hum
or sing the airs she played, as he paced up and down the room on the
track of a new invention.
And though he sang and hummed "pian-piano," the sweet, searching, manly
tones seemed to fill all space.
The hushed house became a sounding-board, the harp a mere subservient
tinkle, and my small, excitable frame would thrill and vibrate under the
waves of my unconscious father's voice; and oh, the charming airs
he sang!
Public-domain text, read in full here on John Shaqi.
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