Moreover (a gift for which I could never be too grateful), she presented me with an old square piano, which had belonged to her mother, and had done duty in her school-room, till Lintot gave her a new one (for she was a highly cultivated musician of the severest classical type). It became the principal ornament of my small sitting-room, which it nearly filled, and on it I tried to learn my notes, and would pick out with one finger the old beloved melodies my father used to sing, and my mother play on the harp. To sing myself was, it seems, out of the question; my voice (which I trust was not too disagreeable when I was content merely to speak) became as that of a bull-frog under a blanket whenever I strove to express myself in song; my larynx refused to produce the notes I held so accurately in my mind, and the result was disaster. On the other hand, in my mind I could sing most beautifully. Once on a rainy day, inside an Islington omnibus, I mentally sang "Adelaida" with the voice of Mr. Sims Reeves--an unpardonable liberty to take; and although it is not for me to say so, I sang it even better than he, for I made myself shed tears--so much so that a kind old gentleman sitting opposite seemed to feel for me very much. I also had the faculty of remembering any tune I once heard, and would whistle it correctly ever after--even one of Uncle Ibbetson's waltzes! As an instance of this, worth recalling, one night I found myself in Guildford Street, walking in the same direction as another belated individual (only on the other side of the road), who, just as the moon came out of a cloud, was moved to whistle. He whistled exquisitely, and, what was more, he whistled quite the most beautiful tune I had ever heard. I felt all its changes and modulations, its majors and minors, just as if a whole band had been there to play the accompaniment, so cunning and expressive a whistler was he. And so entranced was I that I made up my mind to cross over and ask him what it was--"Your melody or your life!" But he suddenly stopped at No. 48, and let himself in with his key before I could prefer my humble request. Well, I went whistling that tune all next day, and for many days after, without ever finding out what it was; till one evening, happening to be at the Lintots. I asked Mrs. Lintot (who happened to be at the piano) if she knew it, and began to whistle it once more. To my delight and surprise she straightway accompanied it all through (a wonderful condescension in so severe a purist), and I did not make a single wrong note. "Yes," said Mrs. Lintot, "it's a pretty, catchy little tune--of a kind to achieve immediate popularity." Now, I apologize humbly to the reader for this digression; but if he be musical he will forgive me, for that tune was the "Serenade" of Schubert, and I had never even heard Schubert's name!