Another, when quite sane, speaks English with a French accent and demonstrative French gestures, and laments the lost glories of the old French regime, and affects to forget the simplest English words. He doesn't know a word of French, however. But when his madness comes on, and he is put into a strait-waistcoat, all his English comes back, and very strong, fluent, idiomatic English it is, of the cockneyest kind, with all its "h's" duly transposed. Another (the most unpleasant and ugliest person here) has chosen me for the confidant of his past amours; he gives me the names and dates and all. The less I listen the more he confides. He makes me sick. What can I do to prevent his believing that I believe him? I am tired of killing people for lying about women. If I call him a liar and a cad, it may wake in him Heaven knows what dormant frenzy--for I am quite in the dark as to the nature of his mental infirmity. Another, a weak but amiable and well-intentioned youth, tries to think that he is passionately fond of music; but he is so exclusive, if you please, that he can only endure Bach and Beethoven, and when he hears Mendelssohn or Chopin, is obliged to leave the room. If I want to please him I whistle "Le Bon Roi Dagobert," and tell him it is the _motif_ of one of Bach's fugues; and to get rid of him I whistle it again and tell him it is one of Chopin's impromptus. What his madness is I can never be quite sure, for he is very close, but have heard that he is fond of roasting cats alive; and that the mere sight of a cat is enough to rouse his terrible propensity, and drive all wholesome, innocent, harmless, natural affectation out of his head. There is a painter here who (like others one has met outside) believes himself the one living painter worthy of the name. Indeed, he has forgotten the names of all the others, and can only despise and abuse them in the lump. He triumphantly shows you his own work, which consists of just the kind of crude, half-clever, irresponsible, impressionist daubs you would expect from an amateur who talks in that way; and you wonder why on earth he should be in a lunatic asylum, of all places in the world. And (just as would happen outside, again) some of his fellow-sufferers take him at his own valuation and believe him a great genius; some of them want to kick him for an impudent impostor (but that he is so small); and the majority do not care. His mania is arson, poor fellow; and when the terrible wish comes over him to set the place on fire he forgets his artistic conceit, and his mean, weak, silly face becomes almost grand.