Of course—(he was too much in love with the phantom of Beatrice for any
except a prejudiced judgment)—he blamed his own countrymen exclusively.
Equally of course, the great poem of his projecting, became—the moment
pen touched paper—an artificial web of phrases through which the man’s
real belief in a Spiritual Federation of the English-speaking Peoples
oozed to nothingness. Still, it says something for the influence of a
girl who only wrote in calm friendship, confident of his ultimate
success as a writer, but by no manner of means—consciously at any
rate—in love with him, that Francis Gordon should have held to this
belief, unflinchingly, through all those weary months when other
Englishmen—better informed on material points though utterly ignorant
of the spiritual reluctance to realize that a world-crime was being
committed (which reluctance alone kept America so long out of the
War)—were saying to themselves, “Can’t they see things? Won’t they see
things? Must we fight this greatest of all battles without them?”
* * * * *
“Mr. and Mrs. Jameson, Sir,” announced the elderly manservant.
§ 3
Nothing in the outward appearance of the Francis Gordon who rose at the
entrance of his cousin’s wife, suggested the conventional (or
unconventional) poet. Short dark hair parted at the side, clipped
moustache, well-cared-for hands, creaseless gold-pinned soft collar,
well-tailored blue suit—all proclaimed the ordinary idle young man of
the period. And as such, to tell the truth, his cousin Peter—to whom,
except for a certain lack of dourness about the expression, he bore an
amazing resemblance—regarded him.
His surroundings, too, helped this illusion of the idle commonplace. The
room was large, white-walled and green-carpeted; crowded mahogany
book-shelves completely lined one wall; a spacious
writing-table—scrupulously tidy—set square in the centre of two big
windows—the other. Chippendale chairs, a tea-table already laid, and a
revolving bookcase filled with foreign dictionaries, Roget’s Thesaurus,
and other reference-works, completed the furniture. Two mahogany
doors—one, through which Patricia and Peter had just entered, leading
to the narrow hall—the other to the bedroom and bathroom—glowed darkly
against the rough white of the wall-paper.
“This doesn’t look much like poverty,” commented Peter. (Francis had
only just taken the flat. This was their first visit to him.)
“I don’t think you’d make much of a welfare inspector, old man,” replied
Francis. “Fourth floor. No lift. No telephone. Geyser-bath.
Shilling-in-the-slot electric-light meter. A complacent landlord. And
the relics of the Curzon Street furniture. Guess again about my
poverty.”
“_And_ a manservant,” commented Patricia, taking off hat and gloves,
sitting down—as by right—at the tea-table.
Public-domain text, read in full here on John Shaqi.
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