But if Mr Apollo had had enough of it, his friends were too indignant
to allow us to go off scot-free. A large mob was collected in the
street, vowing vengeance on us for our treatment of their flash man, and
a row was to be expected. Miss Eurydice had escaped, so that O'Brien
had his hands free. "Cam out, you hangman tiefs, cam out! only wish had
rock stones to mash your heads with," cried the mob of negroes. The
officers now sallied out in a body, and were saluted with every variety
of missile, such as rotten oranges, cabbage-stalks, mud, and cocoa-nut
shells. We fought our way manfully, but as we neared the beach the mob
increased to hundreds, and at last we could proceed no further, being
completely jammed up by the niggers, upon whose heads we could make no
more impression than upon blocks of marble. "We must draw our swords,"
observed an officer. "No, no," replied O'Brien, "that will not do; if
once we shed blood, they will never let us get on board with our lives.
The boat's crew by this time must be aware that there is a row."
O'Brien was right. He had hardly spoken, before a lane was observed to
be made through the crowd in the distance, which in two minutes was open
to us. Swinburne appeared in the middle of it, followed by the rest of
the boat's crew, armed with the boat's stretchers, which they did not
aim at the heads of the blacks, but swept them like scythes against
their shins. This they continued to do, right and left of us, as we
walked through and went down to the boats, the seamen closing up the
rear with their stretchers, with which they ever and anon made a sweep
at the black fellows if they approached too near. It was now broad
daylight, and in a few minutes we were again safely on board the
frigate. Thus ended the first and last dignity ball that I attended.
CHAPTER THIRTY TWO.
I AM CLAIMED BY CAPTAIN KEARNEY AS A RELATION--TRIAL OF SKILL BETWEEN
FIRST LIEUTENANT AND CAPTAIN WITH THE LONG BOW--THE SHARK, THE PUG DOG,
AND THE WILL--A QUARTER-DECK PICTURE.
Public-domain text, read in full here on John Shaqi.
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