with the figure of the blind bow-boy, sacrificing the Psyche-butterfly, or the emerald signet of Polycrates, with the lyre cut upon it, or the Etruscan peridot representing a sphinx scratching her ear with her hind paw, or the sapphire, discovered in a disused well at Hereford, in which the head of the Madonna has been chiseled, with the inscription, round the beasil, in Lombard letters, TECTA LEGE LECTA TEGE, or the jacinth engraved with the triple face of Baphomet, with a legend of darkly obscene purport? The breastplate of the Jewish High Priest had its oracular gems, which were the Urim and Thummim. Apollonius Tyaneus, the sorcerer, for the purposes of his enchantments, wore special rings with appropriate stones for each day of the week. Also, in this curious book, and others which you may examine, such as George III's Dactyliotheca Smithiana (Venice; 1767), you will find some account of the gems of the Gnostics: an intaglio in a pale convex plasma, carved with the Chnuphis Serpent, raising himself aloft, with the seven vowels, the elements of his name, above; another jewel engraved with the figure of the jackal-headed Anubis, the serpent with the lion's head, the infant Horus, seated on the lotus, the cynocephalus baboon, and the Abraxas-god, Iao, created from the four elements; an Egyptian seal of the god, Harpocrates, seated on the mystic lotus, in adoration of the Yoni; and an esoteric green jasper amulet in the form of a dragon, surrounded by rays. Florists' catalogues: strangely wicked cyclamens, meat-eating begonias, beloved of des Esseintes (Henri Matisse grows these peccant plants in his garden and they suggest his work), shaggy chrysanthemums, orchids, green, white, and mauve, the veined salpiglossis, the mournful, rich-smelling tube-rose, all the mystic blossoms adored by Robert de la Condamine's primitive, tortured, orgiastic saints in The Double Garden, marigolds and daisies, the most complex and the most simple flowers of all, hypocritical fuchsias, and calceolaria, sacred to la bella Cenerentola. Reaper catalogues: you know, the McCormicks and the Middle West. Porcelain catalogues: Rookwood, Royal Doulton, Wedgwood, Delft, the quaint, clean, heavy, charming Brittany ware, Majolica, the wondrous Chinese porcelains, self-colour, sang de bœuf, apple of roses, peach-blow, Sèvres, signed with the fox of Emile Renard, or the eye of Pajou, or the little house of Jean-Jacques Anteaume. Furniture catalogues: Adam and Louis XV, Futurist, Empire, Venetian and Chinese, Poincaré and Grand Rapids. Art-dealers' catalogues: Félicien Rops and Jo Davidson, Renoir and Franz Hals, Cranach and Picasso, Manet and Carpaccio. Book-dealers' catalogues: George Borrow, Thomas Love Peacock, Ambrose Bierce, William Beckford, Robert Smith Surtees, Francis William Bain. Do you know the true story of Ambrose Gwinett, related by Oliver Goldsmith: the fellow who, having been hanged and gibbeted for murdering a traveller