Peter Whiffle : $b His life and worksVan Vechten, Carl
General
Peter Whiffle : $b His life and works
Van Vechten, Carl
American fiction -- 20th century
A day or so later, the lady recovered her spirits and even her sense of
humour for she told me the story herself and I have always remembered
it. The moment it passed her lips, indeed, I began to reflect that
I had been lucky to encounter the Bride of the Adriatic in my youth.
Paris, too, especially Paris, for there is a melancholy pleasure to be
derived from Venice. It is a suitable environment for grief; there is a
certain superior relish to suffering there. Paris, I sometimes think,
smiles only on the very young and it is not a city I should care to
approach for the first time after I had passed forty.
I was, as a matter of fact, in my twenties when I first went
to Paris--my happiness might have been even greater had I been
nineteen--and I was alone. The trip across England--I had landed at
Liverpool--and the horrid channel, I will not describe, although both
made sufficient impression on me, but the French houses at Dieppe
awakened my first deep emotion and then, and so many times since, the
Normandy cider, quaffed in a little café, conterminous to the railroad,
and the journey through France, alive in the sunlight, for it was
May, the fields dancing with the green grain spattered with vermilion
poppies and cerulean cornflowers, the white roads, flying like ribbons
between the stately poplars, leading away over the charming hills
past the red-brick villas, completed the siege of my not too easily
given heart. There was the stately and romantic interruption of Rouen,
which at that period suggested nothing in the world to me but Emma
Bovary. Then more fields, more roads, more towns, and at last, towards
twilight, Paris.
Railroads have a fancy for entering cities stealthily through backyards
and the first glimpses of Paris, achieved from a car-window, were not
over-pleasant but the posters on the hoardings, advertising beer and
automobile tires, particularly that of the Michelin Tire Company,
with the picture of the pinguid gentleman, constructed of a series of
pneumatic circles, seemed characteristic enough. Chéret was dead but
something of his spirit seemed to glow in these intensely coloured
affiches and I was young. Even the dank Gare Saint Lazare did not
dismay me, and I entered into the novel baggage hunt with something of
zest, while other busy passengers and the blue porters rushed hither
and thither in a complicated but well-ordered maze. Naturally, however,
I was the last to leave the station; as the light outside deepened to a
rich warm blue, I wandered into the street, my porter bearing my trunk,
to find there a solitary cocher mounted on the box of his carious
fiacre.
Public-domain text, read in full here on John Shaqi.
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