Great Britain -- History -- Charles II, 1660-1685 -- Fiction
Such, in form and habits, was the little female, who, holding in her
hand a small old-fashioned ebony rod, which might have passed for a
divining wand, confronted Julian on the top of the flight of steps which
led down the rock from the Castle court. We ought to observe, that as
Julian’s manner to the unfortunate girl had been always gentle, and free
from those teasing jests in which his gay friend indulged, with less
regard to the peculiarity of her situation and feelings; so Fenella, on
her part, had usually shown much greater deference to him than to any of
the household, her mistress, the Countess, always excepted.
On the present occasion, planting herself in the very midst of the
narrow descent, so as to make it impossible for Peveril to pass by her,
she proceeded to put him to the question by a series of gestures, which
we will endeavour to describe. She commenced by extending her hand
slightly, accompanied with the sharp inquisitive look which served her
as a note of interrogation. This was meant as an inquiry whether he was
going to a distance. Julian, in reply, extended his arm more than half,
to intimate that the distance was considerable. Fenella looked grave,
shook her head, and pointed to the Countess’s window, which was visible
from the spot where they stood. Peveril smiled, and nodded, to intimate
there was no danger in quitting her mistress for a short space. The
little maiden next touched an eagle’s feather which she wore in her
hair, a sign which she usually employed to designate the Earl, and then
looked inquisitively at Julian once more, as if to say, “Goes he
with you?” Peveril shook his head, and, somewhat wearied by these
interrogatories, smiled, and made an effort to pass. Fenella frowned,
struck the end of her ebony rod perpendicularly on the ground, and again
shook her head, as if opposing his departure. But finding that Julian
persevered in his purpose, she suddenly assumed another and milder mood,
held him by the skirt of his cloak with one hand, and raised the other
in an imploring attitude, whilst every feature of her lively countenance
was composed into the like expression of supplication; and the fire of
the large dark eyes, which seemed in general so keen and piercing as
almost to over-animate the little sphere to which they belonged, seemed
quenched, for the moment, in the large drops which hung on her long
eyelashes, but without falling.
Julian Peveril was far from being void of sympathy towards the poor
girl, whose motives in opposing his departure appeared to be her
affectionate apprehension for her mistress’s safety. He endeavoured to
reassure by smiles, and, at the same time, by such signs as he could
devise, to intimate that there was no danger, and that he would return
presently; and having succeeded in extricating his cloak from her
grasp, and in passing her on the stair, he began to descend the steps as
speedily as he could, in order to avoid farther importunity.
Public-domain text, read in full here on John Shaqi.
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