Phallic Miscellanies: Facts and Phases of Ancient and Modern Sex Worship, as Illustrated Chiefly in the Religions of IndiaJennings, Hargrave
Religion
Phallic Miscellanies: Facts and Phases of Ancient and Modern Sex Worship, as Illustrated Chiefly in the Religions of India
Jennings, Hargrave
Hindu cults; Phallicism
“The Jupiter Marinus, or Neptune of the Romans, resembles Mahadeva
(Siva) in his generative character; especially as the Hindoo god is
the husband of Parvati, whose relation to the waters is evidently
marked by her image being restored to them at the conclusion of the
great festival, called Durgotsava. She is known to have attributes
exactly similar to those of Venus Marina, whose birth from the
sea-foam, and splendid rise from the couch in which she had been
cradled, have offered so many charming subjects to ancient and modern
artists.”[5]
[5] Asiatic Researches, vol. I.
Another writer, Mr. Paterson, offers a passage descriptive of the
character and attributes of Siva. “To Siva,” he says, “are given three
eyes, probably to denote his view of the three divisions of time; the
past, the present, and the future. A crescent on his forehead,
pourtrays the measure of time by the phases of the moon; a serpent
forms a necklace to denote the measure of time by years; a second
necklace formed of human skulls marks the lapse and revolution of
ages, and the extinction and succession of the generations of mankind.
He holds a trident, to show that the great attributes are in him
assembled and united; in another is a kind of rattle, shaped like an
hour glass, and I am inclined to think that it was at first intended
as such, since it agrees with the character of the deity; and a sand
gheri is mentioned in the Sastra as a mode of measuring time. In the
hieroglyphic of Maha Pralaya, or grand consummation of things, when
time itself shall be no more, he is represented as trodden under foot
by Mahakala, or eternity.”
* * * * *
A writer in the Edinburgh Review for February, 1811, says:—“The most
ancient worship of which any trace is left in Hindustan, is that of
Osiris or Bacchus, whose Indian names are Iswara and Baghesa. In him,
and in the gods of his family, or lineage, we recognise the divinities
adored by the ancient Egyptians. That Osiris and Bacchus were the same
divinity, is attested by the unanimous suffrage of all the writers of
antiquity. But the most ancient Bacchus was not celebrated as the god
of wine, a character ascribed to that divinity in later times. The
Egyptians assert that Osiris conquered India; and indeed his
expedition to that region is the subject of the celebrated epic poem
of Nonnus. We by no means contend for the reality of these
expeditions; but it is an indisputable fact that the worship of
Osiris, distinguished by the same attributes and emblems, has
continued in India from the earliest ages to this day, under the
appellation of Iswara. This, we think, may be completely proved by a
comparative survey of both, before, as patron of the vine, he assumed
in Europe a new character.
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