Phallic Miscellanies: Facts and Phases of Ancient and Modern Sex Worship, as Illustrated Chiefly in the Religions of IndiaJennings, Hargrave
Religion
Phallic Miscellanies: Facts and Phases of Ancient and Modern Sex Worship, as Illustrated Chiefly in the Religions of India
Jennings, Hargrave
Hindu cults; Phallicism
It is said, by some writers, that the name of this idol is a compound
word of Sum and Nat; Sum being the name of the prince who erected it,
and Nat the true name of the god; which in the language of the
Brahmins, signifies Creator. In the time of eclipses we are told that
there used to be forty or fifty thousand worshippers at this temple;
and that the different princes of Hindostan had bestowed, in all, two
thousand villages, with their territories, for the maintenance of its
priests; besides the innumerable presents received from all parts of
the empire. It was a custom among these idolaters, to wash Sumnat,
every morning and evening, with fresh water from the Ganges, though
that river is above one thousand miles distant.
Among the spoils of this temple was a chain of gold, weighing forty
maunds, which hung from the top of the building by a ring. It
supported a great bell, which warned the people to the worship of the
god. Besides two thousands Brahmins, who officiated as priests, there
belonged to the temple five hundred dancing-girls, three hundred
musicians, and three hundred barbers, to shave the devotees before
they were admitted to the presence of Sumnat. The dancing-girls were
either remarkable for their beauty or their quality, the Rajas
thinking it a honour to have their daughters admitted. The king of
Ghizni found in this temple, a greater quantity of jewels and gold,
than, it is thought, any royal treasury contained before. In the
history of Eben Assur, it is related that there was no light in the
temple, but one pendant lamp, which being reflected from the jewels,
spread a strong and refulgent light over the whole place. Besides the
great idol above mentioned, there were in the temple some thousands of
small images, in gold and silver, of various shapes and dimensions.
The idol destroyed by Mahmood was, in fact, one of the twelve great
Lingas, then set up in various parts of India, several of which
besides Somesware, or Somanath, which was the name of the Siva
demolished by Mahmood, were destroyed by the early Mahommedan
conquerors.
In the Kedara Kalpa, Siva says: “I am omnipresent, but I am especially
in twelve forms and places.
“(1) Somanatha, in Saurashtra. (2) Mallikarjuna, or Sri Saila. (3)
Mahakala, in Ougein. (4) Omkara, said to have been in Ujayin. (5)
Amareswara, also placed in Ujayin. (6) Vaidyanath, at Deogerh in
Bengal. (7) Ramesa, at Setubandha. (8) Bhimasankara, in Dakini. (The
9th is missing from the list enumerated by Mr. Wilson in the Asiatic
Researches, said to be unknown). (10) Tryambaka, on the banks of the
Gomati. (11) Gautamesa, site unknown. (12) Kedaresa, or Kedaranath, in
the Himalaya.”
Public-domain text, read in full here on John Shaqi.
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